So I have decided that in this series of world building I will actually answer the starting questions in order and then present some conclusions at the end. It may make it a little easier for others to follow and to see just what I am building out as I go.
So question 1 – Hard sci-fi, space opera, or pulp sci-fi?
This one actually took the the longest time to answer. I had to look at the concept I was trying to get across with the setting. Do I want science to play a pivotal role in the setting? Do I want the players to be able to grab a physics book or an engineering manual and go “AH HA!”? Do I want to be able to get past the science and drive more of the plot?
Well in thinking about all of this I looked at the hard sci-fi first. I am not the worlds best when it comes to hard science. I love talking about and looking into the theoretical stuff but when it comes to the actual mechanics, I could not tell you why the Bussard ram scoop works without going to wiki and looking it up. I cannot tell you why some radioactive isotopes are more harmful in the radiation they emit than others. I don’t really want to look up the latest innovations in cybernetics and neural computing. It takes time and enthusiasm for hard science that I just don’t have to really run good hard sci-fi. Especially if you are going to have a player or two that could really know their stuff and call you on it when you get it wrong or implement something in a way that science wont support. Closest I would be able to do is something like GDW’s Twilight 2000. And to be honest that is an apocalypse I don’t want to play with.
Ok so hard sci-fi is out. I have to say though that if someone were to run a good hard sci-fi I would want in. There is no telling what I could learn about actual science.
So now we look at space opera. Big, epic, huge. Good space opera seems to take a lot of, well… space. Space opera also seems to leave the science completely behind in favor of the settings and the drama. I mean looking at Star Wars and Star Trek, I can see the hint of technology, and a few mentions of science. But the science has so many work arounds that even things like black holes are not an issue. Or at least much of one. Planet killing doomsday weapons are relatively easy to come by, and it seems like without the heroes the entire setting would go down the toilet. That puts a lot of weight on the players if they know it is them or the universe is doomed, or the solar system or any other area of known space. But it does do a really good job of looking into the unknown and not flinching.
Ok lets back burner space opera for a moment and move on.
Pulp Sci-fi. All right, we still have drama, but the science can be put either on the back burner or brought into the spotlight. You can get a little odd with the science and get into the point of ‘SCIENCE!’ but that does not have to be bad. The situations get almost as out there drama wise as the space opera, but when you look at the overall story you usually know that even if the characters/heroes fail then someone else has a back up play. Things may not work out as well as if the heroes succeed but they will still to some degree work out. You also have a tendency to limit the scope of things a bit more. A solar system or three instead of a galaxy or galaxies. And adding in a little humor if not downright camp is seen with a better light than in either space opera or hard sci-fi. A little humor is actually kind of required because you can go so far over the top with the dram or the SCIENCE!
Ok so I have to say that pulp sci-fi gives me most of what I want to work with. A little science that could be real and I can play with more if I want bu I don’t really need to because I can just SCIENCE! my way out of it if I need to. I can bring drama and character building to the forefront and can even drop in a McGuffin or three to move the plot along. And if I decide a story element is too important to let it slip, like say a victory here or there I can Deus Ex Machina without it seeming like I am steam rolling the players into something or forcing an issue.
I could do a lot of that with space opera as well, but I really enjoy the idea of players having the chance to use an odd skill at an odd time to come up with a really out of the ball park way of pulling something off… like using a cooking skill to negotiate a cease fire arrangement or something equally unusual that if you play in space opera settings you really cant do and keep the flavor of the setting.
Ok so due to the flexibility of the pulp sci-fi style I will be going with that one for the world that I build. Focusing on the drama though more than the SCIENCE!, the humor or the McGuffin/Deus Ex type stuff. Kinda hoping for a Edgar Rice Burroughs John Carter of Mars kinda feel I think. The books mind you and not the movie. Or even the tribute stories by Michael Moorcock Kane of Mars. A few exceptional people doing things that others would see as impossible in a place they do not really understand but work their butts off to be successful there… yeah that is what I am looking for.
Ok so gimme the dice I need to roll up a few new ideas while these concepts sink in for the rest of you.
Remember to keep thinking for yourself and enjoy what you game 🙂