Archive for category CSIHC
Ok so here we come into Question 3.
Just as a refresher we are looking at the following elements in this world I am building.
- The sci-fi style will be pulp sci-fi. So things can get weird.
- Humans are trash. So at the very least they will be low class citizens, maybe worse.
Question three is “How big is the known universe?”
Taking this from the human perspective we can get an idea of how intimidating things are in known space. We can also play with the idea that no one really knows. The real key is going to be tying the answer to this question into the answers for the previous ones.
Ok so what sort of universe settings are Pulp Sci-Fi known for? Well you have a lot of extremes actually. You have settings like John Carter of Mars where everything takes place on one world. You also have settings like Flash Gordon (yeah I consider it to be pulp sci-fi even with the actual origin of the setting being in a news paper comic strip) where you have multiple worlds that are all in contact with each other. And then if you go all the way back to the original Buck Rodgers it all takes place on Earth. So that really does not narrow it down. But there is one thing they all have in common. The main hero needs to have local allies because they dont really know jack about the technology and cultures around them. So it seems pretty common to have the heroes not really know how big anything is until they get hit in the face with it.
That gives me a great idea to keep the total scope of the universe the players are going to be involved with unknown to them. That way I can take advantage of the opportunity to build a little mystery into the game and give them tons of chances to role-play to find out information, and to figure out who might be taking advantage of them or lying to them outright. There would be things that I need to answer in later questions about the number of races and how humanoid and all that, however at this point I dont really need to worry about that.
Ok so since I have decided that I dont want the players to really know right off the bat how big everything is, I need to decide for myself how big things can be… or do I?
This is where you need to know yourself and how you want to play, and tell a story. I can break down things into really detailed info so that I can drive the players to specific things. I can sketch out a few ideas and give myself a feeling for the overall scope but let the details get built on the fly. OR I could do the whole bloody thing on the fly except for a few specifics, like alien home worlds and the like. But that is still not going to define the scope of the universe. The technique is important, but do I want to have the game and stories focus on just one world, maybe a whole solar system, a part of or even a full galaxy or just say screw it and run with a series of galaxies?
So this may seem a little rambly, but I want to talk about the game Star Frontiers for just a moment here. When the game was first published (Alpha Dawn) the original module/adventure in the game was on a planet that was new to the different powers in the game setting. The next two modules continued the story on that world. Introducing the games main villain race, and giving the players the chance to make first contact with some new sentient species. The following modules brought the players more into the worlds that made up the federation the game was set in. When the second part of the rules was published (Knight Hawks) players got the chance to expand their influence, and not only pilot ships (something that was not really even possible in the base game) but to command fleets. The scale grew as more material was published and the universe expanded. I really liked this way of getting players and GM’s into the game world. Sure you had to keep buying product, or you could come up with your own materials.
So what does all that have to do with the scale of the game environment? Well it tells me that even if I am going to build things out I really don’t need much more than names for some alien worlds, home worlds in particular, and a starting point. I can make things as big as I want, or need to as things go on. I mean something in the game can go completely Lilo and Stitch (yeah I went Disney on ya) and players get dumped into the middle of no where (so to speak in galactic terms) and that is what you get for hitting the candy stripped button (or lever or whatever) not really knowing what you are doing.
Hmmm I am liking this.
Ok so now we have, for my setting anyway –
- The sci-fi style will be pulp sci-fi. So things can get weird.
- Humans are trash. So at the very least they will be low class citizens, maybe worse.
- Players will not know how big the universe is, and I will sketch out a couple of places in advance but otherwise let the players drive things so the universe will become as big as it needs to be.
Now for those that think I am copping out, you have never let a group of players run anything in your lives. You cant predict where they will take things or what they will want to do next. That’s right ERIC… save the freaking dragon… I remember! Sheesh. Its like herding cats. To make this effective I will likely need more notes and stacks of ideas that I can flesh out on the fly than with any other option. It may be some serious work on my part but I think it will make the most playable environment for the players. I can set up some sort of over arching story, but not have to railroad them into it just because that is the only ting I built up in advance.
Ok well thats it for the moment… next post… who knows where I will go with it 🙂
So gimme the dice, I gotta see if I can make the roll for finding lunch.
Play well and play often folks 🙂
Ok so next week I am planning on giving a basic review for a sci-fi game that I have not played. But for the moment I want to take a look at the next question on my building a sci-fi game setting list.
How Important are Humans?
This is a really serious question. Humans are the most relate-able characters in sci-fi settings. While you may see humanoids (Wookie, Vulcan, and Centauri to name a few) in great numbers, they always have a culture or feature that makes them obviously not human. Then you also have non-humans that will have some small characteristic you can relate to as a human, but by their very nature they become very alien to your natural mind set. The Hive oriented Thranx, the parasitic predators the Brood, the vaguely humanoid Adipose, and the Leviathan Pilots to name just a few. While races that are humanoid dominate fantasy realms and make it fairly easy to find something to relate to, only some sci-fi, well ok a lot of the space opera sci-fi, gives you that relate-able feature.
So how do you create a setting that still gives players an option of playing something they can relate to fairly quickly? Easy. You make humans part of the setting. And you leave yourself free to bring in anything alien that you want to. You can even go completely alien in some of the things you create and you will know that your players will still have a foothold.
So now that we have the why even have humans, we need to look at how important they are. I mean if I have the option to try and play something that is going to relate to humans with confusion because my culture and upbringing make human lifestyle choices seem alien, I am going to want to play it. Unless there is a compelling reason to play a human. Like if humans are the only playable race in the setting, like in Dark Conspiracy. Or you can make humans the most prolific race and the leaders of empires like in Fading Suns.
Now then if you do not make humans very important, or prolific you end up with settings where you will have people who play everything. Like Rifts, or Star Wars. Not that this is a bad thing. But if you take a look at those settings you will see they fall back on the Fantasy formula of making everything that is not human, human like so you and your players can relate to it. It takes away some of the truly alien feel of the game.
There are very few settings in sci-fi, fiction or gaming in which humans don’t really mean a sodding thing. They are tiny, minuscule, and expendable. I really tried to find a couple of examples to put into this category but I could not find anything that really worked. What I find interesting though in a setting like this is that you and the players get to make humans important. Or you can make them extinct.
Now then as with the overall type of setting you create, the importance of humans is going to be totally up to you. I tend to break this down into three major settings ideas.
- Humans in charge
- Humans are an equal part of everything
- Humans are trash
When I was building this new setting I immediately tossed out humans in charge. I wanted more diversity and I wanted to give the players more of a sense of wonder than entitlement.
Humans being equal. You know there are so many settings that do this today I have a hard time coming up with a way of making something that I think players would find memorable. I also have a hard time figuring out how I could get most players to play humans in something like this, and to be honest I want to encourage players to play human.
Humans are trash. Ok so this is going to be a challenge. I want to get my players to play humans, but I don’t want humans to start out with all the advantages. That means I am going to have to be on top of my game to create a Pulp sci-fi setting where humans don’t really mean anything to the universe at large. But the players can change that. Maybe they need to change it.
Ok, so I think I am seeing more in the whole pulp sci-fi thing here. I mean Flash Gordon had three humans and a lot of humanoids. But by the end of the story it was the human Flash who was the most important person in the stories. John Carter Warlord of Mars was also technically the only human, with several humanoids (I mean the human looking people on Mars laid eggs in that setting, so you cant call them human no mater how the cover artists drew them), and he ended up being the most important person in the story.
All right. Getting some ideas and some flow going.
Pulp sci-fi and humans (at the start at least) are trash. I think I can build on this.
Ok I am going to let you all think about this for a while and I am gonna go do something else…
So gimme the dice, I need to consult my d87 table of random things to do.
Play nice and play often folks.
So I have decided that in this series of world building I will actually answer the starting questions in order and then present some conclusions at the end. It may make it a little easier for others to follow and to see just what I am building out as I go.
So question 1 – Hard sci-fi, space opera, or pulp sci-fi?
This one actually took the the longest time to answer. I had to look at the concept I was trying to get across with the setting. Do I want science to play a pivotal role in the setting? Do I want the players to be able to grab a physics book or an engineering manual and go “AH HA!”? Do I want to be able to get past the science and drive more of the plot?
Well in thinking about all of this I looked at the hard sci-fi first. I am not the worlds best when it comes to hard science. I love talking about and looking into the theoretical stuff but when it comes to the actual mechanics, I could not tell you why the Bussard ram scoop works without going to wiki and looking it up. I cannot tell you why some radioactive isotopes are more harmful in the radiation they emit than others. I don’t really want to look up the latest innovations in cybernetics and neural computing. It takes time and enthusiasm for hard science that I just don’t have to really run good hard sci-fi. Especially if you are going to have a player or two that could really know their stuff and call you on it when you get it wrong or implement something in a way that science wont support. Closest I would be able to do is something like GDW’s Twilight 2000. And to be honest that is an apocalypse I don’t want to play with.
Ok so hard sci-fi is out. I have to say though that if someone were to run a good hard sci-fi I would want in. There is no telling what I could learn about actual science.
So now we look at space opera. Big, epic, huge. Good space opera seems to take a lot of, well… space. Space opera also seems to leave the science completely behind in favor of the settings and the drama. I mean looking at Star Wars and Star Trek, I can see the hint of technology, and a few mentions of science. But the science has so many work arounds that even things like black holes are not an issue. Or at least much of one. Planet killing doomsday weapons are relatively easy to come by, and it seems like without the heroes the entire setting would go down the toilet. That puts a lot of weight on the players if they know it is them or the universe is doomed, or the solar system or any other area of known space. But it does do a really good job of looking into the unknown and not flinching.
Ok lets back burner space opera for a moment and move on.
Pulp Sci-fi. All right, we still have drama, but the science can be put either on the back burner or brought into the spotlight. You can get a little odd with the science and get into the point of ‘SCIENCE!’ but that does not have to be bad. The situations get almost as out there drama wise as the space opera, but when you look at the overall story you usually know that even if the characters/heroes fail then someone else has a back up play. Things may not work out as well as if the heroes succeed but they will still to some degree work out. You also have a tendency to limit the scope of things a bit more. A solar system or three instead of a galaxy or galaxies. And adding in a little humor if not downright camp is seen with a better light than in either space opera or hard sci-fi. A little humor is actually kind of required because you can go so far over the top with the dram or the SCIENCE!
Ok so I have to say that pulp sci-fi gives me most of what I want to work with. A little science that could be real and I can play with more if I want bu I don’t really need to because I can just SCIENCE! my way out of it if I need to. I can bring drama and character building to the forefront and can even drop in a McGuffin or three to move the plot along. And if I decide a story element is too important to let it slip, like say a victory here or there I can Deus Ex Machina without it seeming like I am steam rolling the players into something or forcing an issue.
I could do a lot of that with space opera as well, but I really enjoy the idea of players having the chance to use an odd skill at an odd time to come up with a really out of the ball park way of pulling something off… like using a cooking skill to negotiate a cease fire arrangement or something equally unusual that if you play in space opera settings you really cant do and keep the flavor of the setting.
Ok so due to the flexibility of the pulp sci-fi style I will be going with that one for the world that I build. Focusing on the drama though more than the SCIENCE!, the humor or the McGuffin/Deus Ex type stuff. Kinda hoping for a Edgar Rice Burroughs John Carter of Mars kinda feel I think. The books mind you and not the movie. Or even the tribute stories by Michael Moorcock Kane of Mars. A few exceptional people doing things that others would see as impossible in a place they do not really understand but work their butts off to be successful there… yeah that is what I am looking for.
Ok so gimme the dice I need to roll up a few new ideas while these concepts sink in for the rest of you.
Remember to keep thinking for yourself and enjoy what you game 🙂
Ok so this is to be the last one on the opening questions for world building.
To be perfectly honest this question may actually be the one you want to consider first when game building. However I like to keep it last due to the number of things that can come up with the first six questions.
7 – What game engine do you want to use?
Sometimes this question gets answered for you, as you only have one game system you can use. Or you might have a group of players who only likes one way of playing. The more flexible you are in regards to the rule set you use the more you can adapt to make things fit your game in unique ways.
As I have talked about in previous posts some game engines are better at some things than others. Some times level based game engines work well, sometimes point based work well. Some game engines make it really easy to work on things like vehicles and some make it easy to work on having the ‘magic’ you created. It is really rare to find a game engine that does everything well for what you want to see in your game. And that is where you need to develop the art of compromise.
Below I am going to list out a few of the game engines and some of their strong and weak points. Please remember as always these comments are from my experience, you may see things differently and may have a different history with the games which may give you a different point of view. And that POV is just as valid as mine. So make sure you think about what you want, and what you want to do when you have the option to set yourself up from the ground up.
Star Wars RPG – This is the original Star Wars RPG. Currently you can find the same system in the d6 RPG by West End Games and it is frequently free on RPG Now in PDF form. This engine is point based. Points that convert into numbers of dice for skills and abilities. The game engine works really well for building out alien races and for ‘magic’. The merits and flaws add flavor and can give special focus to abilities. However for vehicles and special gear it really kinda sucks. The use of such things is not too hard, but any customization you want to do is, well, unbalanced.
Star Hero – Sadly this link focus’ on the Fifth Edition hero system version of the game and really does not mention the older version. Now then while I am a staunch supporter of point based games, and especially Hero System, I have to actually draw a line here. Hero works great for building any kind of character you want, with any skills and abilities you want. However vehicle and base building quickly becomes unbalanced and can throw a game way off. I mean when I am building a 150 point character I can spend 30 of those points to build a ship with an AI that would finish the game for me with as much power as the character. And a lot less vulnerable. If I have five players who all put in 10 points each to the building of a vehicle and they play it smart, they can build a small Death Star.
Rifts – Rifts has a lot of problems for me. It is a class based game engine that you cannot really customize without contributing to power creep, and the game has enough of that already. Even though characters are limited by classes that they cannot combine or cross, the game engine handles mixing magic and tech really well. Again when it comes to vehicles you have a hard time customizing anything without unbalancing things.
D20 Future – Ok so this is level based, but you can cross to your hearts content. It handles magic and tech fairly well. The only challenge I have here is that as with Rifts there is no real base system for vehicle creation. There are templates to modify them with, but if you want to create a new base you are left wondering how in the heck to balance it with the already existing ones without just duplicating what is already there. Vehicle combat in d20 Future is also a little hard to work with. It is like a second system has been slapped onto the game engine to really cover it completely.
Cyberpunk 2020 – Ok, so here we have a class/point mix going on. Focused but allows for a broader customization that most class systems. Combat system is exceptional. Vehicle combat is part of the core system. Vehicle design and any kind of ‘magic’ past technology is non existent though.
Mekton – Made by the same folks who made Cyberpunk, the original Mekton was a bit of a joke really. However when they did their third edition (yeah there was a Mekton II and I consider Mekton Zeta to be third edition) their vehicle design really shined. Their combat system is slimmed from Cyberpunk, and they no longer have classes in the engine but have templates. All in all the only weak spot here is that if you want to have a ‘magic’ that is not technology then you need to make some adaptations to the rules. In the expansion Mekton Zeta Plus they gave a few ideas, but did not really take things far enough to keep the character side of things completely balanced.
Heavy Gear – Another point based game system that handles both characters and vehicles really well. However just like Mekton and Cyberpunk if you have anything other than technology for your ‘magic’ it does not handle it at all in the base rules. You need to home-brew something to cover it, unless you want to dive into some of the other products the publisher has created in the same game engine and try to fuse them in.
Ok so this is a small sample of a ton of sci-fi rpg engines. Are any of them perfect for everything. No. At least not in my mind. There are a couple of them that I have not had a chance to dissect yet, and more that I have not had a chance to play. So it may be that I have just not hit every possibility and have not found that one masterwork game that will do… everything.
Is there one out there that is perfect for your game and your world? I am sure there is. If you are limited to one game engine can you still make it work? Sure you can. Just be ready to mod the hell out of it should you need to, and make sure you work ahead of the game. Spend time well before the game starts to find flaws, weak points or missing elements in the engine you have decided to or need to use. Make sure you let your players in on the fixes you have created, or enlist them to help. That later idea is a great way to get the players to buy into the game because they are helping to make it fun and exciting from before they even create a character.
So the question of game engine really does become your anchor in all of this. But if you are ready and work on it, you can take a game engine that you have to/have chosen to use, and make it one of the most memorable game series you have ever run.
Ok gimme the dice, I gotta take a look at the old Twilight 2000 and see if the .4 mph winds spoil this last shot.
Next week will either be a review, or a rant depending on time and how I feel, then back to the world building… or that is the plan anyway.
Enjoy the games folks and play nice.
Back again with more sci-fi world building. This is not going to be 201 because we are still on the starting questions. I have two more that you need to consider at the start of your world building and there are going to be a lot of links here because there are a vast number of potential answers.
Also if you have not answered the original four questions first, then these may seem really insurmountable… or not. 🙂
So what do you think could be so big that two questions could warrant a post all their own… heh
5 – Other than humans, how many races are there, and how diverse is their knowledge, species, and tech? You may first notice that this question does not ask how important these other races are, then again you may notice that it also does not ask how many worlds they control or how they relate to humans. It asks how diverse they are. This question is to get into the idea of what is out there. The very first sci-fi RPG that I got into (Star Frontiers) had a couple of very cool PC races and a somewhat alien villain race. But they all shared the same technology and in most cases their cultures came together without issue. Well except for the villains that is. The Dralasites from that setting are still one of my favorite races of all time in an RPG due to the fact that they are not humanoid in any real way but they shape themselves to try and fit in. With this question you want to look at how humanoid are the races in your universe. I mean even in the new version of BattleStar Galactica the Cylons are the aliens. Even though they were created by humans and can look just like them. But if you look at things like Star Wars you have a few non-humanoid races but you also have species that are just farmers who do not embrace technology.
Personally I like to scale this question to the scale of my area of human knowledge question. If the human race is stuck in a solar system or two, then usually I will only scope out between one and three additional races. And I like to have the majority of them to be non-humanoid. This keeps the sense of being alien very strong. I think that in fiction we see that pretty well in settings like the Expanse where you dont see actual aliens but the residue of their technology (at least for the first five books). However if you are looking at a full galaxy to wander in then I will shoot for the Star Wars side of things where there are hundreds of races with tons of variety in tech and culture but strangely 90% of the races are humanoid.
There are of course exceptions to the standards I talk about for myself. I really enjoy things like the Babylon 5 setting where you have a limited area of the universe to play in, and major races are all over the place, but there are also tons of minor races. You can get really creative dumping just about any type of character you want into this from any race you want to create and folks will just have to suck it up and let it go because it is so open ended.
Now then all of the five previous questions lead us up to a single, big, ugly, painful question. Please pay very close attention to the phrasing here or you will scoff and miss the point.
6 – What is your worlds “magic”? Ok, do you see the quotes? Do you get the jist of the question? Let me break it out for you. Star Wars has both the Force, and technology. Star Trek and Babylon 5 have technology and genetics (psychic powers and unusual physical powers). CyberPunk has the matrix/net. And game settings like Rifts and ShadowRun have actual magic, with the tech, genetics and the net. The Expanse has hidden secrets in alien technology. And some game settings like Fading Suns and the new StarFinder game simply say screw it and have tech and magic. And then games like Eclipse Phase has technology that makes you question what it is to be human at all.
So why do I wrap it all up into a little package that I call “magic”? Well that is actually easier to me than saying something like, what makes your universe special? If you break down all of the other questions and then come to this one you will likely find that you have already answered it. Sure you can start with this question but if you do then everything else you are designing ends up revolving around this question. And sure Star Wars did a fairly good job of doing just that, but not every setting is going to be Star Wars. Hells, no setting other than Star Wars should be Star Wars.
I think now you see why I ordered the questions the way I did. If you are going to build a sci-fi setting you want to make sure you have something to draw the players in, and build it up from there. If you start with an element like the non-human races, or the things that give you a “magic” of sorts in your setting then you get stuck in those elements rather quickly and it becomes very easy (at least in my experience) to loose focus on the things that your players can relate to. And if you are running a game you need to have things that your players will relate to so that they can really get into the game and the characters they build. Even if they choose to play something that is not human. Actually in my honest opinion it is even more important to have the human relate-able items in place if players are going to play non-humans. That way they can capitalize on being alien. Not just humans with different features, but come from outside the human experience.
Anyway, relatively short post this week. But I wanted to make sure that readers had a chance to look at this and think it over before I bring up the 201 topic. Which may twist you a bit. 🙂
So gimme the dice. I need to see how many races I am going to use…
Ok so I know I have been non-posting, but hinting at the start of the 200 series of world building. So ya know what? Despite how much I know my friend over at Dan On Games is looking forward to a rant of some kind I am going to start here instead and categorize it as a rant 🙂 HAH!
So what the heck do I mean by First Steps? Well just like with building any other type of world or setting for any game or fiction you have a few things you need to know about your setting that can be summed up in a few questions. Once you get these down then you can really sort out the rest of it fairly quickly… well… as long as you have a little time, some imagination, a few other settings to steal from, oh and did I mention a little time… undisturbed… without other things going on… cause other wise this sort of thing takes forever. I mean if you have a job, and a life outside of gaming… well then…
Heh… see how I snuck the rant in there… 🙂
Anyway the questions that you need to ask to get to building a sci-fi setting/world are really similar to fantasy, or any other world really. The ones that I find the most important to answer go like this…
1 – Hard sci-fi, space opera, or pulp sci-fi? What you have here is the biggest aspect of sci-fi. Much like how much magic goes into a fantasy setting. Hard sci-ci is based on known science. Or even theoretical science that seems really plausible without a too much of a stretch. In hard sci-fi you will keep referring back to the science. A lot.. There are a lot of cyberpunk and a few hard sci-fi games out there that are good examples of this concept. Space Opera is more like Star Wars and Star Trek. You can mention the science but it is so advanced that you cant explain it so you don’t even try. You can use the science as color comments if you have a really good idea or want to make something dramatic, but it is not as important as in hard sci-fi. Pulp sci-fi is a category I may have made up for myself, but if you look back at the classic pulp sci-fi stories and the movies from the 40’s and 50’s that really got into the pulp style of sci-fi then you can see that they usually treated science with a mix of the space opera and the hard sci-fi at the same time. I mean that if you want to make a death ray out of a toaster to take on the 11th dimensional invading pumpkin people you better make sure you have three paperclips and a can opener… because SCIENCE!
Each one has something to recommend in it. Each one can be a heck of a lot of fun. All of them can be silly, or dramatic. Even with the little bit I put in there about pulp and science, it can be very dark and very serious for the characters, it is just the science itself that can seem, well, kinda like MacGyver on crack. There are a ton of other types of sci-fi but these three I find the easiest to start with.
2 – How important are humans? This is a very serious question to be asking in any sci-fi setting. You can find a lot of settings in which humans are the only sentient species. You can find even more in which humans are one of hundreds if not thousands of sentient species. You can find in the ones where there are hundreds of species that humans have been relegated to slave status in the universe, and others where they are the heads of empires. You can even find settings in which you question if humans are really human any more. The reason this is so important is because most sci-fi stories need a way to be relate-able to the players. And when you are dealing with technology that may seem like magic, and things that go outside of all current expectations of the future, a human being is going to be the way to tie things together and give you the most common point of reference.
In fantasy we look at how many races you want to have in a setting. And you will need to do that in sci-fi as well. But deciding the scope of human influence and impact will actually help you define that better.
3 – How big is the known universe? That question is going to seem to be a little misleading at first. But take it in the context of the previous question. What do humans know about what is out there? Are they still in their home solar system? Are they stuck to a single world? Do they roam the galaxy? This question is really just like the one for fantasy where we look at how big the world is. If you know the scope of your genre for the setting and you know how important humans are, you can give this a much needed look.
Now then unlike a fantasy setting where you need to have a really good idea of the primary environment (world/continents/nations) in sci-fi you can actually make up a lot of it as you need it a lot easier. You just have to take good notes as you go so you can call up worlds, or asteroid communities, or wandering groups of space stations as you go. You still will need to define your starting point rather well. But that goes for any type of game setting. It is just that this time the starting point is not limited to being a city or a nation, it can be just about anything.
4 – How far are we from today? This question will really lock in the flavor of your setting. I mean if we are in a galaxy hopping setting that is just next week… that is going to be completely different than a setting that is galaxy hopping a thousand years from now. It makes a big difference for what is human relate-able in regards to technology. And the sense of human achievement is going to be different. It will change the roles that people have in their lives regardless of race or gender. The jobs that can be done and even how trade and commerce are impacted.
You will notice that none of these questions actually try to define the technology. Talk about ships or how things move in space if you are even in space. These questions don’t ask what roles or classes of characters are going to be involved. They are all designed to get you thinking about scope. About how you want to define the realm you are creating.
Now then I have a setting mapped out and the following World Building 200 series will be answering these questions and adding some additional details to flesh out the world/s that are coming. Personally I am not trying to build a traditional sci-fi setting. So my answers to questions may seem a little weird. Then again this whole blog may seem a little weird. 🙂
Ok so that’s enough of a post for now.
Gimme the dice, I gotta give MacGyver a saving throw against science crack.
Play safe, and play well friends.
Ok so to be totally honest last weekend I just had too much on my mind and wanted too badly to relax to even think about putting up a post.
So I have decided that for World Building 200 series I will be working on a Sci Fi world. A lot of people have tried to tell me that Sci Fi is the hardest of settings to work with. I disagree. There are a lot of options sure. And I will be walking through several of them. However there is a lot more to consider if you are going to build up a solid and sustainable Supers environment. Seriously. Supers will be the 300 series for world building and then you will see what I am talking about.
Ok so getting on to ‘That Guy’. Disclaimer – Yeah I know there are female gamers. Tons of them. And they fit the role of ‘That Gal’ but typing Guy/Gal or coming up with something witty like ‘Galuy’ just feels forced and non-conversational. Not trying to slight anyone or be a sexist ass. Because if I am truly being fair then I have to go beyond cisgender or transgender or non gender and that gets messy and so if I am going to play it neutral as hell I would have to say ‘That Person’ but someone would take offence to that too. So screw it I am using ‘That Guy’ and you will just have to roll with it.
Every gaming group has one. If they are a rules lawyer, a bad player overall, someone who just gets to bloody enthused about the game, the ultimate geek, the lucky roller… whatever stereo type they fit, whatever role they fill in your gaming group, they are unforgettable. The funny thing is that in almost every game group you will find that ‘That Guy’ is remembered by everyone. What they did wrong, how lucky they got when they got it right, how they must have cheated, and on and on.
Want to know a secret?
EVERY game player ever, is ‘That Guy’.
No joke. You may not figure it out until years later but everyone is memorable in their table top game groups. EVERYONE ends up having a signature move, an incredible event, a bad habit, or other feature that will make them stick in memory. Even the guy who just sat there an nodded and maybe smiled once in the three years they were at the game table.
The reason I am bringing this up is because I talked to someone recently who had no idea that they had ever been ‘That Guy’. They had thought that everyone else in their game group had a signature of some kind and that they had just gamed. None of the gamers they had associated with had ever told them they were ‘That Guy’, that they had done something memorable or had a pattern that everyone found predictable.
So why am I bringing this up?
I would just like my fellow gamers; male, female, trans, cis and every other option out there; to consider just what kind of ‘That Guy’ they want to be. If you know now that you will be remembered, that you will have an impact on others, how do you play that?
I am sure that every gamer out there has stories about ‘That Guy’ that made them want to play more, or quit gaming, or even go all stabby at the game table. I have met so many versions of ‘That Guy’ it is hard to say what ones have had the most impact. I mean I can tell you stories about ‘That Guy’ that almost made me quit playing LARP games. And the one that showed me not everyone was an asshole. I can tell you stories about ‘That Guy’ who made so many stupid errors in games that we thought he might have a hard time with basic thought, but damn he was enthusiastic about gaming and loved everything, even his mistakes. I can tell you about ‘That Guy’ who ruined a specific RPG for me. And I can tell you so many others it is ridiculous.
Are you getting the point?
To paraphrase DC Comics the Martian Manhunter (sorry but I cannot quote issue I just know it goes to him unless he stole it too) “Everyone is someones ‘That Guy'(alien).”
So really. Think about it before you sit down at your next game session. Know you will be remembered. You will have an affect on other gamers. You will leave a mark.
What do you want to be remembered for?
Ok gimme the dice, I gotta see if that warrants a dramatic exit crit or not… 🙂
Good gods. Three weeks without a blog post. Ok while I will take full responsibility for not putting a serious priority on the blog, well, so goes life. I wont try to list all the personal and work things going on that took higher priority in that time frame. And I will not make excuses for putting my oldest friend first next weekend with his reception party for his recent wedding. Nor for putting my wife first and taking her on a vacation to the coast while we make our way to said reception event. So to my loyal reader/s who show up with regularity and read every one of these posts, now you know whats up. And if someone got me a job posting these things and creating wild and crazy ideas for adventures and worlds, well then and only then would I be here on a permanent basis. 🙂
So with all that out of the way, we can ask the usual type of question, what the hell does he mean by Epic Adventures?
So Epic Adventures, also known in some parts as Adventure Paths are a series of adventures and encounters set up to bring a group of player characters in a level based game setting from level one up to the top levels of play. The first example that I am aware of (please note that I say aware of, because there are likely more out there that I dont know of as this is a fairly cool concept) was Castle Greyhawk. This was originally published back in 1988 by TSR for Advanced Dungeons and Dragons. It was intended to be a series of comedy adventures in a single castle that you could bring your players back to from time to time to unwind a little from more intense stories. However if you really cleared things out and did not mind creeping through humor all the time you could make it from level one to level 20 or so depending on classes by the time you cleared all the levels under the castle. While the next was not intended to have you start at first level, you could with a little tweaking make it work and that was The Ruins of Undermountain also published by TSR, this time in 1991. What made Undermountain and its sequel/add on was that it was not designed to be anything more than a serious dungeon crawl adventure. However with good work by a good DM you could make it an ongoing campaign.
Later on you would see things like the Shackled City campaign that was originally published in series in Dungeon magazine in 2003, The Worlds Largest Dungeon published in 2004, and a TON of adventure paths set up by Piazo for Pathfinder. The later offerings went past meeting in a bar and starting up a series of raids to gain levels. They plotted a story, gave NPCs background and gave characters a reason to keep things going.
Dont get your undies in a bundle that I am not mentioning your favorite module series. While nearly every game system out there has published adventures that take a story-line over multiple modules (DC Heroes, Star Frontiers, Marvel Super Heroes, and all generations of D&D to name a few) there are a lot of notable exceptions (Champions, GURPS, and SLA Industries once again to name a few). But the reason I am not bringing them up right now is because while they may tell a story over a few adventures, they are not epics that can get characters from the start of their career to the very top of their game. There are also a few publishers that have made a full story-line out of their entire publication series, but only if you pay attention (Shadowrun and the original World of Darkness (all five main games) make great examples here). This last concept is usually referred to as a Meta Plot which means that not mater what you do or where you go you are playing in the same story line.
Now then these epics all have one really big challenge. The players. If they go off the rails of the story/adventure the GM has set up before them, well things go pear shaped really quick. Or at least they can. If the person running the game has prepped for their players to run out at just about any part of the game, then things will not go off the rails at all really.
For myself I happen to love epic stories. However I also happen to know that every group I have ever played with likes to go outside the lines of the story and may want to chase down very minor plot threads that could seem like a waste of time in the overall plot. Actually I have had game groups run from the main plot right at the get go. And while it will occasionally get frustrating, I have a method of working around that. I call it the Epic Clock. I put down a time line for things to happen in on the main plot. If the characters get involved then sure they are the chosen ones. If they run from it, well then whomever else becomes the chosen ones will either save everything or things will get messed up without them. This also means though that the characters can get involved at any time. Either being at the right place at the right point in the time line, or by finding a sub plot of some kind that leads them back into the main story/plot. Also I have a distaste for just setting up modules as offered for an epic. In recent times I have taken some old D&D modules (Basic, AD&D and AD&D 2nd ed) and put them into series so that they create an epic. All of these modules are fairly easy to modify into Pathfinder so I dont have to change too many NPCs or monsters in extreme ways. Or I just build my own out of whole cloth.
Now then dont think this keeps me from running one off nights, or even one off series. But having a over arching epic, and a timeline gives me something to run everything against.
I dont do this too often but I would actually like to hear from readers on this topic. Do you like one offs, epic stories, meta plots, timelines or just what in adventures? Just reply to the posting and let me know.
Ok signing off for now, so gimme the dice, I need to roll a d10000 to see how big the next adventure is…
WARNING – This post is dark and disturbing in its content. It is also intended in a humorous and informative manner. You have been warned, so don’t bitch about it later if it offends you and you read it anyway.
So I published a bit about the idea of Cannibal Castle a few years back on a gaming fantasy blog I was writing, and I figured after the last entry I would jump into an entry or two about what makes for good bad guys, and for playing them. So any entry starting out with “The Bad Guys” will be one of these.
A little history. Years back there was a time while I was unemployed that I was staying with a couple of guys who wanted to put together a symposium of a different type together for a local sci-fi fantasy convention. Well they came to me and I created Cannibal Castle and the following material. We got turned down, but I kept the material and have even dropped this place into a couple of game worlds I have run. Had a Pathfinder game group who wanted to play bad guys actually get one game session away from getting into the castle before they were too unnerved by playing the bad guys to go on with it.
What I am going to drop here first is the original pitch for the symposium. Our goal was not to really pitch the castle itself, but to get people talking about what is evil and how to put something more unique into their games and stories.
Cannibal Castle Productions
The first annual panel on the care and feeding of the TRULY EVIL.
This panel is being brought to you to give a look, sometimes silly, at the care and feeding of a truly evil holding. The idea is to give you a look at something so nasty and bizarre that it inspires the creation of nastier villains and challenges that most heroes would probably loose their lunch over.
This years focus will be on keeping the food stores high in your castle thru any and all means possible, the nastier the better of course.
Part 1 – Castle features and their use in feeding the residents.
Torture chambers need to be in the second and third floor of a tower so that it can be used as a meat smoker when you have all the information you need.
Portcullis need to be removable individually so that skewered heroes can be heated up over a nice fire.
Ballista and archers need to fire bolts made from dried hickory or other flavorful woods so that they can be left in the victims to give a nice smoky flavor when cooking your enemies.
Murder holes used in pouring molten fats and oils over invaders need to be cleaned regularly with seasoned boiling hot water to make soup stock.
Underground areas need to be well mapped and trapped so that any and all unwelcome guests can add to the crop of mushrooms that you can grow there.
All vegetables and spices grown in the castle need to not only be flavorful, but also be toxic in high doses so they can do double duty.
Moats should be filled with flammable oils so that they can be used as barbecues during an invasion.
Stables should be kept clean for the storage of the invaders mounts. It is essential to keep them clean and fresh before adding them to the food supply.
At least one underground area needs to be free of running water so that it can be frozen with supplies of winter ice. This is essential for keeping things fresh and for quieting some of the noisier prisoners.
Part 2 – Bringing in the feast.
The fastest way to resupply your meat stock is to find a way to be invaded. This brings the fresh tender meat to your door, no hunting or farming required. A few quick and simple ideas to get this to happen are as follows.
Send out troops to brag about how rich you are. This will attract other evil groups and the poor, the poor are stringy and can be used as slave labor for upkeep, and the evil ones cook up nicely. This also gives you room to expand later.
Send out troops to brag about how evil you are. This will bring in scores of heroes, and as long as you can keep winning it will keep you well fed. Heroes usually cook better than villains anyway.
Send out a raiding party with a declaration of war. For this one you need good men and fast movers that can hairy the opposition and make them want to follow back to the castle in force.
Send out small groups to burn a city or two and leave your calling card. This one serves a dual purpose, it keeps the troops entertained and brings the heroes to your door. Just make sure that all the troops involved know that you get 50% of the take from looting before they head out.
Send out teams to wrangle all the live stock that they can from farms you do not control. This gets you some light eating at first, and as the farmers stock is noticed gone then you will get more and more heroes coming until you are finally invaded in force. This is good for long term planning and used in conjunction with the fires can be a major morale boost for the troops.
This is a small selection of the options that can be used. If you are evil enough you can come up with more.
Part 3 – Proper equipment and training for your minions/cooks.
This part should be done subtly, if you do not then some wise guy out there will organize against you before you are ready to put things to your advantage. Knowing this gear for the troops should include but not be limited to the following.
Razor sharp skinning knives. Knowing that many of the troops that can knife fight would prefer heavy blades this may be the hardest one to get them to use. Just remind them that heavy knives cost food supplies for later by wasting meat.
Hickory projectiles and portcullis. This means that you have a good nice smoked wood flavor coming from anything that gets impaled.
Flammable oil vials with added spices. Letting the troops pick their own flavors might not be a bad idea, this way they can have a little more of a personal touch when they eat the enemy later.
Extra training in anatomy. This way everyone will know just what the best part of the body to use in the field or at home, what will travel best when smoked, and how long to cook that dwarven leg.
Constant exposure to the gardens. This way your troops can develop immunity to the plants you are growing for double duty as toxins and spices.
Training in the various kinds of oils and there uses. This way they will know just what kind of oils to fill the moat with, and which kinds to add to portable cooking kits.
Part 4 – Hiring Minions
The usual deals that are offered by evil overlords are good but there are better plans and small details like the following can help get the best troops in the area.
First you need to start out with the most ragtag group of losers and cut-throats around. These will be your cannon fodder and build your first income base. Remember that this crew is disposable and you would rather have them all destroyed before you get your first castle built, or taken over.
Second and later groups are only accumulated after the castle is built. You make them the following offers.
- Base Pay (from the wealth you never paid the first group)
- 50% of the loot in all raids in your name.
- 100% of all loot from raids in the troops free time as long as they are approved by you.
- Additional training to help beat and eat your enemies.
- A well fortified base of operations.
- A detailed ranking system in the troops so you know who to backstab without making costly errors.
- Medical plans (must maintain at least 1 evil cleric make him/her a lieutenant and you will have it easy)
- Global recognition within 5 years.
Part 5 – Relocation
Knowing that eventually Heroes, Kingdoms, and even good aligned spiritual forces will soon align against you and likely hit you with more force than even a well stocked fortress can endure you need to make sure that you have done the following things.
- Establish a route of escape that no one but you knows about. No one. Seriously. Kill anyone that finds out about it.
- Move at least ½ your wealth to another location regularly. Usually 2 or three locations works better so that even outside raids will not get all of it in one go.
We will go over all this more in detail later on in the symposium, I would like to also offer you our detailed courses in attracting the proper vampire to grant you power and not enslavement, and how to summon demon and evil elemental lords for fun and profit later in the week.
End of original material
So in game play I have a tendency to give things a back story and build up the villain who runs the castle. My personal favorite was a human from a culture in which eating ones enemies was a high compliment, but when he got to the region of the world I put the castle in he found the people there were small minded and considered him evil for practicing his cultures rites. He never ate anyone he had not killed, and he cooked them before he killed them because eating them raw was considered rude. Persecuted for his cultural beliefs and unwilling to adapt to the culture he found himself in, he decided to go ahead and be evil. The castle and these practices resulted. Playing this villain as being smart made for a really good bad guy. Setting up small things, planting rumors with locals and so on all to lure small groups of “heroes” into his castle. Making them the invaders and his enemy. Aaaand you can see where that goes.
So thats it for now… evil is as evil does… heh
Next time I do one of these things about bad guys I may tell you about the NPC that freaked out a whole group of players who thought they were playing the bad guys.
Now gimme the dice, I need to see how many poisonous herbs are in the castles garden.
Ok so I warned you all that this might be longer than usual. I also apologize for being an additional week late. But I wanted to get this one filled in a way to really draw folks in.
So where does this one start. Up until now I have given the readers clues, hints and pieces about what would be playable, how the world is formed, who the bad guys are and how the religion operates. This entry is not about the ifs ands or butts, this is about what you need to start the game. So that will mean rules mods for Pathfinder races, and classes. Details on a couple of starting points, and a glossing over of a few basic stories to start games with.
Ready… ’cause we aint stoppin till its done 🙂
Races – My version of all the races uses the rules presented in the Pathfinder Advanced Race Guide. I wanted to get everyone on a balanced field based on their own rules. Every race is built on ten points. This means some races have a little more juju than you see in the core book, and some have less.
Dwarves – Humanoid; Size M; Speed – Normal (30′); Stats (+2 Con, +2Wis, -2Cha); Standard Languages; Hardy – +2 vs Poison, Spells and Spell Like abilities; Sturdy – +4 CMD vs trip and bull rush maneuvers; Craftsman +2 on all Craft or Profession skills to make things of metal or stone; Skill bonus – Depending on caste -(L) +1 on Survival (Underground) and +1 Profession Mining /(M) +1 on Profession Smith and +1 Tactics /(H) +1 on Alchemy and +1 Knowledge metal; Weapon familiarity also depends on caste – (L)Shovel and Pick / (M)Hammer and Axe / (H)Pole axe and Spear; Dark vision 60′
So my dwarves are a little faster, a little more flex at the start based on your caste and no racial rage, while still being tough.
Elves – Humanoid; Size M; Speed – Normal (30′); Stats (+2Dex, +2 Con, -2 Int); Standard Languages; Standard Elven immunities – immune to sleep and +2 vs Charm and Enchantment spells; Skill Bonus +2 Perception; Climb +8 racial bonus to climb skill; Swim +8 racial bonus to Swim skill and base speed 30′ in water; Hold breath – Hold breath up to 4x Con rounds; Low Light vision also functions underwater.
So these elves are not as magical and have no racial weapons. The hit to their Int is not to say they are unintelligent. Quite the opposite. However they do normally lack formal education.
Goblin – Humanoid; Size S; Speed – Fast (40′); Stats (-2 Str, +4 Dex, -2Cha); Standard Languages; Urbanite – +2 Diplomacy and Sense Motive to gather information and understand social situations; Pyromaniac treat as +1 level with any spell/magic using fire includes alchemy; Bite 1d2 + Str bonus; Low light vision
So as their race came to be they started out as prey and got fast. They got magic and got to blowing things up, and while they understand people, they are usually so blunt and direct it is not like they can do much with it.
Halflings – Humanoid; Size S; Speed – Slow (20′); Stats (-2 Str, +2 Dex, +2Cha); Standard Languages; Fearless +2 vs Fear effects; Lucky – Lesser – +1 to all saves; Skill Bonus’ – +2 Perception and +2 Profession of choice or Survival; Silver Tounge – +2 on Diplomacy and Bluff and they can shift reaction results three spaces instead of two.
Again a race without racial weapons. Smooth talking and charming wanderers. I know I have not done an article about them but I think by the stats alone you can see where its going.
Human – Humanoid; Size M; Speed – Normal (30′); Stats (+2 on stat of choice); Standard Languages; Bonus Feat; Bonus Skills; Skill Training – +1 Survival (Wilderness) and +1 Animal Handling and +1 Perception with finally +1 Healing
Humans live in a wild and unforgiving part of the world. No particular weapon skills here either, but in adapting so fast they learn to help the family and themselves rather quickly.
I previously covered the classes that were available in World Building 108. What I did not cover is the fact that in this world preferred classes are a personal choice. Not a racial distinction. The culture itself seems to make things more common for some classes, but the CHOICE of a preferred class is all in the hands of the character. Initial training in some classes makes it a little more challenging to prefer them though. To be a Monk you have to go to the human lands. They have the only monasteries that offer training at this time. To advance as a Wizard or Alchemist you need to go to one of the Goblin Colleges of magic.
Clerics are an interesting item in this world. Clerics do not worship one of the gods. They call on the whole pantheon. You will note that I have not named or detailed the gods. That is because I want to leave that open at this time for anyone to build the gods they want. Mine are mine. Clerics do not have a mandatory deity signature weapon. Their domain ability is based on their Patron. Each cleric has one god that favors them for some reason, and has allowed them to partake of the Gods powers. But that Patron does not demand service or sole worship. Remember the gods in this world are currently working together against a common enemy. They dont have the time or the resources to screw with each other. And truth be told they dont really want to mess with each other. The more clerics that work with them, the more people behold their glory and the more their power jumps. So they want every cleric to succeed.
So my personal recommend is to go ahead and max out the money for starting characters. Dont roll the dice just take the cash and kit up. I also suggest that each character have at least one item that has personal or family history. It gives the players something to get creative with and it gives the game masters something to target to try and spur a story along or to delve deep into a character.
Also when it comes to fashion and the look of your character that this world is not really the usual type of fantasy setting. In some ways it is coming into the early stages of Steam-punk, and in some ways it is high fantasy like Tolkien. I would offer up that some of my own character concepts have things like a studded leather long coat that counts as leather armor. I own one of those things and I can attest to the damage they can suck up and not look scuffed. With the primitive human culture, the island elves, the urbanite goblins, almost Japanese dwarves and the migratory and almost gypsy halflings styles get mixed and mussed. The look and style of your characters should be something that you enjoy. Dont think you have to make it look like platemail from the game books if you want to have your character wear a mix of blended parts that makes you look more like a short metal golem.
Starting points –
So I had three in mind for the meta plot.
1 – Human village to the north and east in the world. Heavily wooded and mostly wild. South of the village is one of the larger logging camps that goblins and humans run together to get wood to the goblin cities for all sorts of things. Over the past several months there have been disappearances of some of the hunters. Not completely fearsome but it is a little worrying as there have been more going missing than in a usual year and no bodies have been found. To the north of the village is one of the three monasteries that the Monks run. To the east is one of the largest lakes in these hills, and the fishing has degraded in the same time period.
Now then there are a lot of things going on in this area. And a lot of places to dive into things. It would be up to players and game masters to work together to create exactly what they want to do. The lake could be some rouge elves. Missing hunters could be same problem. It may be servitors of the Titans in the area looking to disrupt the status quo. I recommend keeping Titan involvement to a minimum, but unleashing a few dire animals could be good. I would also recommend using level 2 characters with a bit more background for characters starting here.
2 – Debriden – The second largest goblin city and one of the acknowledged trade capitals of this world. The city has so many high ranked goblins in it that there is intrigue after intrigue being run. There is even a low level governors servant that has orders to work on from five separate factions. Normally he just sends reports on what he is doing to all sides and calls it good. Jobs can be found around just about every corner here. People are buying, selling, learning, stealing, backstabbing and blowing up so many things it is kind of hard to keep up.
Ok so there is even more going on here. This is the kind of setting you see in many RPG’s where you have a major city and you can actually get a random group of people involved in something because they just happened to meet in a bar and be the last ones standing at the end of a bar fight started by the small man in a cloak that wants to hire new faces so they cant be traced to him… oh wait…
I recommend starting with level 1 characters here. You can delve into just about any kind of story you want here and eventually someone from the human lands will get into town and start rambling about dire animals or rouge elves and giant shadows under the moon.
3 – Iron Wood – The last village before the great desert in the south. This is the path that people who want to get some of the toughest animal companions and familiars take. The village is small but everyone here is a veteran of something. Either a tough life, or the gladiator pit on the edge of the village. Everyone in the village will tell you that it is about two weeks to the far side of the desert and no one will make it alone. The animals on the other side of the desert have a tendency to destroy any being not strong enough to get their attention. So team up, gear up and head out.
This is the one I planned on using for my own game start. A desert adventure to get the team into a well oiled machine and then unleash them on a forest and swamp ridden jungle full of dinosaurs and mastodons and even some smilodons. Characters will need to be at least level three so they can have the improved familiar or companion feats. And remember not to make it easy on anyone. Because you will have to catch a young or pygmy version and then bring it back across two weeks of desert to get back to the main cities and action. Or they will have to be a band of survivalists that want to set up camp in the south. Others have had that idea already… but that is for your wandering monster charts…
Meta Plot Elements
These are all things that can be added to any story series. In the build I am doing they are all in there.
Exploration – There is a lot of the main continent that is not ‘civilized’. There are lots of places that are still unknown to humanoids on just this continent. And there are at least two others out there… continents that is. What secrets do they hold? How rich can you get? What dangers can you face?
Piety – Ok so everyone remembers there was once one more god. But that god is gone now and no one knows why. The gods wont answer prayers about it, and even the spirits of the ancestors refuse to answer those questions. However there are old temples, old books, old magic items, and all sorts of other little things that come from the time when the pantheon was full. Can you figure out who the god was? Would you like to take their place? What would you do with the information about the missing god if you found out who it was and what sort of portfolio they held?
Dragons – Guardians or enemies – The Dragons know what is going on in the world. Big picture. But they are under orders from the gods and titans to say nothing. The ones that have gone over to the titans are allowed to bring in potential allies, but that’s about it. Do the players dare risk going to talk to a dragon if they figure out something is up? How will the dragons show what side they are on? How will they enter the big conflict? Or will they fight amongst themselves and not be a factor?
Mutation – With the advent of the titans entering this world the raw creation energies they control will start to reshape things. Dire animals becoming more common will come first. What comes after is up to the game masters who use the world. I recommend that it hits a peak with the addition of psionics to the game world.
The big bad – Ok so its the titans. Giant races man their front gates and the smaller you get the less the threat and the more likely they are just scouts. Ogre to Giant to Titan, with their megafauna pets, kaiju war machines, and the tarasque at the beck and call of their leader. No thats not a joke, they are just that bad ass. Can they be stopped? Can peace be made? Will the players play a part on that stage, or be somewhere else in the world?
Conclusion – So this is a big world, with tons of room to add whatever you want. It has big bad guys and a fight on such an epic level brewing that you will need to put everything you have into your characters and build them up if you want to play at that game. But it also has depth and a thousand places to go that have nothing to do with the meta plot. you dont have to go there at all to enjoy this world.
Ok so thats a ton of stuff, and I am tired 🙂
I hope everyone enjoys the conclusion of the world building threads. Next time I do something like this I will likely be building a different genre of world.. if there is a next time.
Ok so gimme the dice, I have to see if I can recognize sleep… Keep gaming and play safe.