Archive for category PP
Wow, ok it was June last time I did a game review. And like I told you in the last post this is one that I have not played yet.
So how can I review a game I have not played yet? Well people on other sites do it all the time, but this time I have, I feel, enough experience with most of the material to make a few jumps in logic without an actual game session under my belt.
You see Starfinder is the latest game from Paizo, the company that created Pathfinder and kinda took over for the massive crowd of gamers that loved D&D 3.0 / 3.5 when Wizards of the Coast stopped supporting that product line. Since shortly after the initial release of Pathfinder there have been elements in the game community that have been begging Paizo to do a Pathfinder Modern like WOTC did with d20 Modern to put the d20 system that ran D&D 3.0 / 3.5 into modern and futuristic settings (look at the supplements list on the d20 Modern wiki and you can see d20 Future for sci-fi and other settings – you can also take a look at the d20 version of Star Wars [Not my favorite version of Star Wars RPG], in many ways these licensed products are why there was so little support for d20 Modern). Several fans have cooked up their own materials and published them online. I wont give links to those because half of them seem to have predatory adds and its a pain to keep up on who has what. Feel free to go looking but keep your security monitors up at full speed when you do.
So finally now Paizo took their Pathfinder rules and made a sci-fi game setting. Starfinder is it.
Here is where things get a little hairy. It is not a straight translation. There are a number of rules and mechanics changes that will make game play different. However they do have a section on how to play Starfinder with Pathfinder, and I could see from the get go that while there are changes the basic structure is so closely similar that it would be easy to just skip the difference in some of the mechanics and roll with it one way or another. In some respects I look at the engine and changes as being a possible Pathfinder 2.0 game engine. There are only two game engine changes that I do not really agree with, but it is easy enough to put those aside.
Paizo already has a few products planned to support the new setting. But it remains to be seen if this is going to be a long term, and well supported game. Looking at everything Paizo has done over the years to support Pathfinder, I have to say that I am kinda hoping that they will put just as much time and effort behind Starfinder. And I also hope they avoid the long term decline that we have seen in the quality of Pathfinder products… that is a rant for another time though, and considering how many people have already ranted about that online I would feel like I am in the middle of a ‘been there done that’ moment.
So what has Paizo changed in Starfinder? Well lets start with character generation. The primary format they suggest using (see its not the only way to do it but they call it out for game balance reasons) is that you use a point based stat generation system and that no stat should start above 18 after all the race and background modifications are in place. It is not a bad system overall, but when you compare it to the way you could roll an 18 and add race mods and so on to a Pathfinder character and start with a stat of 20 or more it seems a little out of place. Thankfully the roll option is still there for those who cant live without it. Next change is that players have three selections they need to make for their characters to get things started. Pathfinder has race and class. Starfinder adds Theme to that. Theme is an interesting new aspect that basically flavors your class in a number of ways. It provides level dependent benefits that can also shape your character. While you can multi-class still you cannot multi-theme. And for those who worry that adding a theme element might make you more restricted in how you can design or play your character, don’t worry they actually have a ‘theme-less’ theme so that you can free form it a bit. Next big changes come in the areas of combat. I want to start with something that comes up in character generation but is not really worked with much until you talk about combat. Characters in Starfinder have Stamina Points, and Hit Points. Stamina Points (SP) get burned quickly and recover quickly. Once your SP are gone you burn Hit Points (HP) and they are harder to recover. This mechanic reminds me of the Palladium Books SDC (Structural Damage Capacity) and HP set up. However I think the Starfinder version is better defined. The big challenge here is that by adding SP you make it harder to kill things. The sad part is that this mechanic is needed because the weapons in this setting do more damage than you may be used to if you have been playing Pathfinder. Next change is that you have two versions of Armor Class in Starfinder. Energy and Kinetic. I know that Kinetic is a type of energy, but… well… yeah ok just roll with it. Both are calculated from the same base, but one protects you better against some of the energy weapons and spells (yeah there is still magic here) and the other against ones that just use brute force. You will notice that there is nothing in my statement about ranged or melee attacks and that is on purpose. Next up is a modification to the Combat Maneuver system. One of the best innovations that Pathfinder did to improve on d20 was to simplify combat maneuvers. Things like tripping or tackling an opponent. Starfinder changes the way you calculate the values but nothing else really. It does not change much, but it does change the overall values a bit.
None of the changes are bad, they are just different.
Some of the cool adds that they have in the game include several new races, new classes (one of which reminds me more than a little of a leveled version of a Green Lantern or a Nova Corps member) and a ship design system that I wish I would have had ages ago playing d20 games. Yeah, its pretty cool even if it relies heavily on an initial template, after that you can smeggin go to town and make some really cool ships.
The setting for the game is tied in tightly with the Pathfinder solar system. They give a lot of tasty tidbits and history in the main book. For a core rule-book it is fleshed out pretty well, so it is really interesting to think where they will take it from there.
Now then my initial testing of the game (I do this with just about everything that I get that has related rules in another game… hence why I know so well the Palladium power creep) I made up a couple of Starfinder characters and pitted them against Pathfinder characters of the same level. First level characters in Pathfinder got mopped. Not because of higher skills or abilities, but due to gear and Stamina Points. Fifth level was actually a closer match but only when the Pathfinder characters thought ahead and used their skills. Tenth level if you have a Pathfinder mage you come out on top, monks also do some significant wiping up. Fighters and rouges have serious issues unless they have feats that allow them to get a-hold of Starfinder gear and weapons to turn them against the Starfinder characters. To my mind the rules changes do not make this a case of power creep though. Starfinder characters are in a world with more fire power, and slightly different mechanics. But take it as you will.
Ok to get down to the numbers so this does not turn into a really huge post.
Overall Fluff 5/5 – The art, the background, the flavor text. Yeah this is a quality publication when it comes to the fluff. Most of the book is very easy to read and can give you a ton of ideas. Not just for a Starfinder game, but there are some interesting things in there about relations between some of the races and cultures that just sort of sings.
Overall Crunch 2/5 – The rules in this game are mostly well placed. However I found myself diving into the index a lot to get more information about topics. In the exact opposite to the fluff the initial rules material is usually enough to tease you about something but not explain it well. So to really understand some of the rules you need to go to a couple of places to make sure you know what the changes from the Pathfinder system means. I have been told that if you are completely new to the game it is easier to follow than if you are experienced.
Overall Mod 4/5 – So yeah, it is a Pathfinder/D&D 3.5 product. If you know anything at all about the engine you can mod the hell out of it.
Overall Fun 2/5 – This one is just an estimate as I have not played any more than my power creep tests. I think it will be fun, but finding a crew to play a sci-fi pathfinder that has both tech and magic will not be fun. Yeah I know I did not really go into that but yeah there is magic and tech.
Total Score 13/20 – I do see a lot of potential here. And to be honest some of my scoring may be biased by the fact that I am currently looking at rules engines for my own sci-fi setting and want the perfect one. Also that I may be impacted by the slow decline in quality that I have been seeing in Pathfinder products for the last few years. So I will accept that I may be biased, but I am honestly looking forward to seeing what can come out of this game.
Allright so that covers the review… Usual disclaimer that this is all my personal thoughts and you will need to think for yourself to really figure out if this game is for you or not.
Now gimme the dice… I need to roll for dodging kitten claws while typing.
Ok so to take a short break from the world building materials, I waffled back and forth between doing a review and a rant, and in the end I think the rant is what I crave more.
So I have talked a number of times about differences between two major game engine types. Point based, like what you can see in Hero Games or GURPS. And level based games like D&D and the Palladium game engine. Now then if you look with a wide enough lens you can wrap up nearly every table top role playing game into those two categories. Notice that I say nearly. Let me give you a couple of examples of how my lens looks at some of the game systems.
- Point based
- Level based
I am sure that for experienced gamers there will be those who try to say I have the idea wrong, and that there are a bunch of games that blur the lines like Mutants and Masterminds. To which I say, yeah sure. But the point of the rant is not those games at all. That’s background so you can see where my point of view comes from.
What really gets me is how few totally creative game set ups are out there. These two background concepts are really common. They make things so easy to get a hold of and run with. But what about exercising the gamers, and writers, creativity to come up with things that are more unique? Is it really that hard? Or are there no big ideas? I mean I have seen several other ideas that work… but…
- FASERIP/Marvel SuperHeroes(the old TSR one)/4Color – This game engine, like Villains and Vigilantes, is completely random roll. If you play this one by the rules as written, everything from character generation to interaction with others comes out to a die roll. You are in the hands of fate from the beginning and you just cant stop. House and alternate rules allow you a choice in some things but not complete control by any means.
- Chaosium – Fate plus choice. Roll your stats and they determine how many skill points you have to spend, plus a base so no one is totally hosed. From that point on though the more you do the more you can grow, and they have a growth mechanic too.
- Pantheon – small press that never took off but the fact it is just narrative roleplay. You design a character with nothing but words and then try to out talk the other players. There is not even a DM type position unless the group wants to have some sort of editor.
- Cypher System – Descriptive narrative brings skills and abilities. This is sort of like crossing Pantheon with FASERIP. Its a really good cross though.
So here is my big challenge. Why is it so hard to get the more original ideas to take with people?
Is it lack of marketing? I mean without in print game mags like Dragon and White Wolf around any more, White Dwarf is almost totally subscription only and rarely prints anything that might support other games, and Pyramid… well yeah, and Space Gamer or Fantasy Gamer… Yeah there are online sources to find out and review sites and so on, but there is little to no promotion. I mean if you go to a convention you might see business cards or fliers scattered about, but that’s it. Back in the hey day you would see game companies taking out adds in each others magazines, dropping in adds in comic books and really trying to push the edge.
Is it lack of sales venue? Back in the day game companies had sections in national chain stores like Toys R Us. Today you are lucky to see anything other than the top two or three sellers in Barnes and Noble, and local game stores are disappearing thanks to online sales companies like Amazon. You used to be able to go into your local mom and pop and find some of the weirdest and most innovative games that had ever been printed.
Is it low quality? You can still find some rather innovative ideas in games online. But without the glossy print pics and driving background stories written by high end fiction writers there is so little to grab someones attention that you end up with a book that is just rules printed in a text size you can get into place. Or if you are selling them independently in PDF format online most of the time the buyers cant get a good look at the product if there is anything they can preview.
Could it be that we are all broke now when it comes to games? Or maybe the big publishers are having so much of a hard time with costs that in the last 15 years a hard cover rule book has gone from 20 to 60 dollars? Are they pricing us all out of reach?
Or maybe, just maybe, and yes I expect hate mail for this one, have gamers just gotten lazy? Do they not want to experiment any more? Have they just found their one little nitch and that’s all they ever want to do? Because its a system or a setting or whatever. And because gamers have gotten lazy, when they teach others about games they dont say, ‘There is a lot of stuff out there, experiment and find the stuff you like.” Instead they say, “This is the best game ever and if you wont play it then you are not a real gamer and fuck you and the dice your rolled in here on.”
To be totally honest I have encountered all of it. All of it sucks. And all of it seems to be killing innovation in games.
I mean look at D&D 4th edition. That was just trying to make MMO’s into a freaking table top game. It sucked for me because I had seen the innovation and growth from 2nd edition to 3rd and 3.5 and had been thinking, ‘Holy shit if they did this much to improve things last time they are going to blow my mind, I know it.’ Yeah. No. But there are tons of people I know who loved it. It bridged that gap between the MMO games they had been playing and the RPG’s that others had played around them. So in a way it was just another step in innovation. In terms of game mechanics it was also sort of a step back. But D&D and all its changes are another rant.
Palladium games has not really had a change in their game system in, well, decades. Other than Power Creep. Champions by Hero had a small jump from 3rd to 4th edition and then from 5th to 6th. Is that the problem? Are the big companies failing to innovate themselves? And so no one else follows suit?
Ok so the point that I was trying to make here is that there seems to be very little innovation in gaming. There seems to be a few methods and no one gets past them. I am concerned that if nothing happens we may see the same thing we currently have in Hollywood when it comes to movies happen in games. Everyone spending all of their time and money regurgitating all of the same old things hoping that by pasting a new face on the front of it they can make money on the same thing all over again. Only to have folks tell them the new version is crap.
The only way I see to pull the industry out of that kind of loop is to get people online and purchasing the small press games that have new ideas. If they are great or if they suck. Just to let bigger companies see innovation, and I mean real innovation not just repackaged and repainted yesterday, pays.
Ok before I wander futher down any rabbit holes and turn this into some kind of omni rant, I need to step away from the keyboard.
Gimme the dice, I need to make a sanity check to see if this makes any sense.
Peace out and game on.
Back again with more sci-fi world building. This is not going to be 201 because we are still on the starting questions. I have two more that you need to consider at the start of your world building and there are going to be a lot of links here because there are a vast number of potential answers.
Also if you have not answered the original four questions first, then these may seem really insurmountable… or not. 🙂
So what do you think could be so big that two questions could warrant a post all their own… heh
5 – Other than humans, how many races are there, and how diverse is their knowledge, species, and tech? You may first notice that this question does not ask how important these other races are, then again you may notice that it also does not ask how many worlds they control or how they relate to humans. It asks how diverse they are. This question is to get into the idea of what is out there. The very first sci-fi RPG that I got into (Star Frontiers) had a couple of very cool PC races and a somewhat alien villain race. But they all shared the same technology and in most cases their cultures came together without issue. Well except for the villains that is. The Dralasites from that setting are still one of my favorite races of all time in an RPG due to the fact that they are not humanoid in any real way but they shape themselves to try and fit in. With this question you want to look at how humanoid are the races in your universe. I mean even in the new version of BattleStar Galactica the Cylons are the aliens. Even though they were created by humans and can look just like them. But if you look at things like Star Wars you have a few non-humanoid races but you also have species that are just farmers who do not embrace technology.
Personally I like to scale this question to the scale of my area of human knowledge question. If the human race is stuck in a solar system or two, then usually I will only scope out between one and three additional races. And I like to have the majority of them to be non-humanoid. This keeps the sense of being alien very strong. I think that in fiction we see that pretty well in settings like the Expanse where you dont see actual aliens but the residue of their technology (at least for the first five books). However if you are looking at a full galaxy to wander in then I will shoot for the Star Wars side of things where there are hundreds of races with tons of variety in tech and culture but strangely 90% of the races are humanoid.
There are of course exceptions to the standards I talk about for myself. I really enjoy things like the Babylon 5 setting where you have a limited area of the universe to play in, and major races are all over the place, but there are also tons of minor races. You can get really creative dumping just about any type of character you want into this from any race you want to create and folks will just have to suck it up and let it go because it is so open ended.
Now then all of the five previous questions lead us up to a single, big, ugly, painful question. Please pay very close attention to the phrasing here or you will scoff and miss the point.
6 – What is your worlds “magic”? Ok, do you see the quotes? Do you get the jist of the question? Let me break it out for you. Star Wars has both the Force, and technology. Star Trek and Babylon 5 have technology and genetics (psychic powers and unusual physical powers). CyberPunk has the matrix/net. And game settings like Rifts and ShadowRun have actual magic, with the tech, genetics and the net. The Expanse has hidden secrets in alien technology. And some game settings like Fading Suns and the new StarFinder game simply say screw it and have tech and magic. And then games like Eclipse Phase has technology that makes you question what it is to be human at all.
So why do I wrap it all up into a little package that I call “magic”? Well that is actually easier to me than saying something like, what makes your universe special? If you break down all of the other questions and then come to this one you will likely find that you have already answered it. Sure you can start with this question but if you do then everything else you are designing ends up revolving around this question. And sure Star Wars did a fairly good job of doing just that, but not every setting is going to be Star Wars. Hells, no setting other than Star Wars should be Star Wars.
I think now you see why I ordered the questions the way I did. If you are going to build a sci-fi setting you want to make sure you have something to draw the players in, and build it up from there. If you start with an element like the non-human races, or the things that give you a “magic” of sorts in your setting then you get stuck in those elements rather quickly and it becomes very easy (at least in my experience) to loose focus on the things that your players can relate to. And if you are running a game you need to have things that your players will relate to so that they can really get into the game and the characters they build. Even if they choose to play something that is not human. Actually in my honest opinion it is even more important to have the human relate-able items in place if players are going to play non-humans. That way they can capitalize on being alien. Not just humans with different features, but come from outside the human experience.
Anyway, relatively short post this week. But I wanted to make sure that readers had a chance to look at this and think it over before I bring up the 201 topic. Which may twist you a bit. 🙂
So gimme the dice. I need to see how many races I am going to use…
Ok so here I am hiding from the heat (yeah yeah I know its not all THAT hot, but I only really enjoy temps up to 65 degrees), and making sure my music keeps pumping. All so I could go over a couple of new game books my wife got me (she heard I was having a bad day during the week and picked up some great food and a couple of first ed D&D books on her way home. If that is not the definition of a loving wife there needs to to be a freakin update because that was just awesome). And also here comes a new review.
A few weeks ago I got a gift from a dear friend The Wheel of Time RPG. Now then this is an item that has been on my get list for a while. So while my main man over there at Dan On Games got me the gift, there is a serious history here. See my friend and I were in high school together when Robert Jordan‘s first book in the Wheel of Time was published. And as you can imagine, a couple of game geeks, with a strong new fantasy setting that starts with three teen male leads and a couple of female teen leads, written in a way that would make Tolkien go ‘Dayyyumnn!’, or at least in my mind it would, yeah we both got a little hooked.
Anyway, it took a while but Wizards of the Coast created a little system called d20 in 2000 that they put their latest version of D&D into. With that under their hat they created several licensed products using that game engine and the Wheel of Time RPG was one of them. And really no that is not the full story, that is why I put all the bloody links in these things these days so I don’t have to write all of history over and over again. So tell me how this all started… “Well first the earth cooled and then the dinosaurs came, and they got big and died and then…” Yeah, no, I don’t have time for that.
Anyway, the Wheel of Time RPG came to us in 2001 amidst a flurry of other products that were all using the d20 open game license (no you don’t get a link for that one, you should know your way to Wikipedia by now). And to be totally honest at that time we were on book eight or so of the series and things seemed to be taking sooooooooo long that I really did not want to add the game to my collection at the time. Even to dissect yet another version of the d20 system. So instead interest on my side fades until about 2010 when I start rereading the series, and then the hunt began. Not in earnest mind you but if I would have found it I would have picked it up. Last year shortly after the wedding I started reading the series again while on the train back and forth to work (yea I have a regular job and have to commute… I have told you people this like a… no… no I am not going to get off track again.) and so I dropped it on my Amazon wish list just in case anyone could find it for the Yule/Xmas season. And then tahhh dahhh. Gift come round. So yeah, now I have it.
I have played plenty of d20 variants. And this one is not too bad. There are a few things I take issue with in the way they implemented the game mechanics to really reflect how the Wheel of Time world works. The reasons I have issue is… well I will go into that in a bit. Basically if you have ever played a d20 or D&D 3.0 game engine game you will be able to slip into this one with ease. Picking up and running with all the details, not as easy.
So what sort of set up do we have here. Well… let me just grab the good and bad I see to try and give you some of the details.
Good – Instead of giving all human characters (of which you should have 99% human characters in a WoT game) one extra feat, and four extra skill points, you take a background. In that background (all based on regions that your character came from) you have a choice of certain feats, and certain skills. You pick one of each. The feat counts as what you would usually see as the bonus feat for being human. The skill becomes a class skill (meaning it has a cheap cost to raise the level of for folks who don’t know the system) and gets four skill points in it. The background also gives you set languages, and also gives you some starting equipment that does not count against your starting monies (designated by your starting character class). They can also give you some serious restrictions when it comes to initial equipment, like no swords for an Aiel. Now some people would see this as limiting. I see it as a great way to establish solid role playing for whatever region your character comes from, and if you play a character that is even slightly perceptive they can pick up on this in game if someone is in disguise.
Good – Initial skill points are not going to be below 4+INT bonus x 4. There are in the base classes two that only offer 2+INT bonus x 4. And that really limits what a character can do outside of combat.
Good – They really try to fit all of the monsters they can from the books in (well up through book eight of the series anyway).
Good – They do a great job giving the feel of the world in the books. Region descriptions and details about the people are great. And some of the more magical things like The Ways (hidden paths created by magic (the One/True Power) that cross over space via a hidden dimension) get good write ups that help you feel how they could be used in a game.
Good – Equipment details help take all the terms that are used in the books by various cultures and give you something to look at directly and a slightly better description that Mr. Jordan did so that you can get into playing the items with your character.
Bad – While they include almost every human culture in the core rule book they leave out the Seanchan, the Tuatha’an, and the Shara. While they are mentioned in Other Places, and a little about the Seanchan’s use of the One Power is discussed, they put nothing in place to allow you to play a member of those cultures directly. If they would have listed them as monsters (and in the case of the Seanchan I could believe that) I would understand it. But considering the fact they make the Sea Folk playable kinda takes any other valid reason they could present off the board. It would have added maybe twelve pages total to the book. But no. Not there. Even as bad guys.
Bad – Speaking of bad guys, there is no alignment in this game. The setting rather clearly defines good and evil on its own, however the axis of law versus chaos not so much. While it does not have a major impact on game play mechanics, I think it has an impact on role playing. In a game without a way to say a character has a code of behavior or other items to guide the play of good and evil you can roll anywhere at any time. And that can open up a whole realm of challenges a game master may not want to face.
Bad – Ta’veren. O k so in the stories this is the same as being “the One”, “Chosen”, “Destined for something greater” and so on. Instead of putting a solid mechanic of any kind into place they give a short side bar that says something along the lines of, you cant choose this and not all destines are great, a character may posses this trait for a short time. It usually comes with a stat boost to charisma, and whatever else the DM feels is needed. Ok I know that players want to be the heroes or villains of their own stories. But seriously. This is weak sauce. Personally I would have put a progressive mechanic in place. Based on the number of sessions or stories, how much bonus do you get. Or maybe based on impact on the world at large. And apparently the charisma bonus is supposed to simulate the ability of the Ta’veren seen in the books to gather people to them and influence how groups, not individuals but full on organizations or nations will react. Nah, its just weak. And its use on the NPC’s is… sigh…
Bad – The Source, making weaves, using the One Power. Ok I will give them this, they really tried. All in all the mechanic works. However it is clunky and unless you want to have a character who is totally focused on magic from day one and you are willing to wait until you have at least one Prestige class (advanced character classes for those not in the loop. They have requirements that you need to meet in a base class before you can take levels in them) and be at a fairly high level, the effect you are going to have in the game is minimal unless you are willing to risk burning out your powers every time you cast something, oh and if your character is male you will be going mad as you risk your power. To really make things worth while with this mechanic you need to burn every feat you can to make magic low enough impact to use regularly. Now then some people would say that this properly reflects the books. And to a degree it does and that is what makes it worth exploring. How ever the first character I made, a male who could channel burnt out his powers the very first time he tried to cast a weave. So, now I have a character who has a wasted level. All because I wanted to actually be able to affect the opponent I had set up (another first level character by the way). Because by the rules if you have burnt out, or been stilled your powers can be brought back (not easy at all), but you will be two levels lower in effect. So… I would have a -1 level caster if you count zero. Soooo yeah. I like some of the ideas they have for this, like a sliding level for weaves (spells) and how you can over channel (how I got into trouble because my first level weaves had no effect) but the way they are implemented means you have to make a very, very restricted character to make it work, and anyone I have played with will tell you that is sort of not my style.
Ok so that is a lot to take in, how about I simplify things and do my little rating bit?
Overall Fluff 4/5 – The detailing of everything in this book is great. I mean even the intro by Robert Jordan is totally cool. However they are missing a few essential cultures. If they are in the one supplemental book that was published that is great for that book. But in this one I gotta take a point off because to me it just hurt too much.
Overall Crunch 3/5 – Rules there are a plenty, but missing alignment and the way they made the One Power work… it just. I can’t say its better than a three because there is work to do here.
Overall Mod 4/5 – BWAHAHAHA, yeah its D&D 3.0 d20. I can mod this. I can mod the hell out of it. The amount of work I see to get the Channeling system working better though goes beyond what I normally consider fun in a mod kinda way.
Overall Fun 3/5 – Ok so the reason why fun is so low here is actually due to those missing cultures and the work I will be doing to make the magic/channeling system work better. I really wanted to play with those less common cultures, as friend and foe.
Total Score 14/20 – Ok so this seems like a low-ish score. It is not that bad really. And overall I think there is a LOT of great material here to work with. Plus the things they did explore in the setting have just enough flavor to get you running but not so over flavored that you cannot build on it and make it your own.
So as usual this is my opinion and if you dont like it… ask my wife before you bite me. 🙂 heh
But seriously if you can find a copy then you should look it over if you are a fan of d20 or a fan of Wheel of Time and make a choice for yourself if its the game you have been seeking.
Ok I am out. Time to beat the heat and start thinking about what I am gonna set up for my wife for dinner.
Gimme the dice, I gotta see if we have a random food encounter coming 🙂
Welcome again readers. So you may have noticed that there was a slight skip in numbers on the game review. Last one was 12, this one is 14. Well that is because #13 is over on my wifes blog Steam and Lace DIY. Head on over if you want to see a non RPG blog about a game I enjoy that fits fairly well with my wifes love of Steampunk.
Now then over here I am about to add a little something to my game reviews. About two years ago I grumbled in the blog about not wanting to do a blog review of a game when I did not have a physical copy in hand. Something about the feel of a book really getting my creative and descriptive sides going. Well, its time to change that stance. With more and more games coming out in PDF form, some small press companies only having the budget to publish PDF or print on demand, and with some of the classic titles coming out in PDF while the physical copies get harder and harder to find… I just have to embrace the fact that I will not have all the games in a physical paper copy. Oh and I do mean all the games because I really do want all of them… every freaking RPG ever made… I want em all 🙂
So with all that out of the way we get onto the actual review… SLA Industries 2nd Edition.
SLA Industries is a game that has been in many hands, including for a while Wizards of the Coast. Originally published and once again in the hands of Nightfall Games, SLA Industries is the brainchild of Dave Allsop. Originally published in 1993 in a slightly oversized format, the game stood out on shelves wherever it was sold. Now then I have to say that when it first came out I saw it there, on the shelves, and was impressed with the size of it, but the original cover art just had me skipping by it. I gave myself a lot of excuses and reasons not to buy it. I would need a bigger book shelf just for that one book, I cant really tell what its about, and many others. One afternoon in about 1996 or so there was a first edition copy in the hands of a friend and I asked to skim it for a bit. And I have to say the rules in that book did not impress me, so I did not skim too far. Then strangely over the years I heard from other gamers, read reviews and finally in 2006 I hunted down a used copy. And I read it. Even though the rules were hard to work with (sorry Dave but you know its true, character generation is a pain, but especially that damage system and tracking armor in combat, akk) but with a little tinkering to smooth a couple of rough spots I was able to put together a couple of quick game sessions. The first group I ran through it was not really knowledgeable of the whole setting and so they ended up meat for the grinder quickly. They hated it but I was enthralled. The second group ended up fighting for every inch and two of them survived the session. Everyone actually was on the edge of their seats. Unfortunately I could not get that second group together again despite the positive feedback. Other than Paranoia this is the first setting that I have found where, if your players are really devotes of the setting, you can get cheered for running a game with a TPK (total party kill). But you really have to get it right.
So I can hear a few asking, what sort of ungodly setting can you be in that would actually have players cheering about a TPK? Well, actually in SLA Industries there is a god. The god of business. And he goes by the name Slayer. Some people call the setting cyberpunk, and others call it scifi. The thing is this is the most dystopian setting you will ever find in an RPG. At least it is so far as I have found and if you know of something darker let me know. The main setting is in a city called Mort. This city is hundreds of miles in diameter. It is on a planet that is so screwed over the sun has not been seen in centuries. The city has been built in layers that go miles deep, and some of them have fallen so far apart that tribes of cannibals and once human mutants roam in the wasteland sections that are walled off from the rest of the city. Life in Mort is run by a single massive company, SLA Industries. It has dozens of subsidiaries that follow the whims of the high end executives. Mr. Slayer (not a joke… seriously) is at least hundreds of years old, and at his hand he has some of the most powerful and creepy aides. He spent hundreds of years clearing out rival companies on many worlds. Creating new cloned life forms to do war, and gathering up a few alien races to stand beside his army. Once he had enough of the enemy swept away he founded Mort and declared the new World of Progress. In which all you had to do was exactly what you were told, and you would be happy. Now then while there are businesses and technical advancement in this world, the only hope to get out of the pit that is Mort is to take a role as an Operative for the company. Being an operative means that you kill things that are going to try and kill you. And may be a threat to the company. Actually don’t worry about yourself dying because that is not as important as a threat to the company. Now then all this does not mean that the company does not have enemies, or rivals. But given the amount of resources available to SLA, best you can really say to them is good luck.
Now then all of what I said was put a little tongue in cheek. Trying to keep things a little light here. However really when you look at a setting this dark, where every character is going to be encouraged to kill and will be lucky to survive I think it deserves a moniker other than cyberpunk. I think the best call out for it would be Necropunk.
So lets run the numbers shall we?
Fluff – 5/5 – Oh gods the beauty in the darkness. Not only is there a ton of fluff in this game, the pinched and slightly off style of the art makes all the written work more powerful. Even in the rules sections there are comments and notations that add to the flavor of just about everything. The small personal stories and snippets really give you a feel for the world. And it keeps reinforcing the concept that no mater who you are, unless you are the boss, you are screwed. The game starts out with almost 110 pages of information, stories and art of characters and settings just to get you into the grove before diving into the rules. And it just keeps adding on.
Crunch – 4/5 – Ok so positives for the rules – They are consistent, no mater the experience level or power level everything scales at pace. No real stats are ever given for Mr Slayer or the members of his inner circle. There is nothing in the rules that ties them to the world specifically, so no element of the crunch is directly tied to the fluff. You can mod it. Negatives for the rules – Frequently over complex. Frequently recitative. Character generation is a pain. So why do I rate it so high? Because with just a little smoothing you can really make a go of it.
Mod – 2/5 – So you can see this seems a little low. Here is the why of that. With the over complex rules you can do a little shaving and still be a bit flustered with how the overall rules system works. Or, like I do with a lot of GURPS books you can just toss out the rules and use it as source material for a game engine you really enjoy. But to do that effectively you need to be sure you can convey to your players that this will definitely be a darker, nastier world than anything they have used that game engine for before.
Fun – 4/5 – I cannot really max the fun out here. And yeah I have a really good reason. While it is fun to play in the dark side. To have all the reasons you could ever want to subvert, pervert, twist and destroy while still being told you are a good guy and reaping massive rewards for it… It is still playing in the dark. You need to come up for air from time to time and do some kind of game with a positive moral imperative or you are just going to be drawing on dark things forever. Now then while I have a story arc idea that would allow players to develop into something that could challenge Mr Slayer, and bring a moral compass to the world, it would take years of play time and that could get to be a slog just to see the results of trying to be a real hero in a setting this dark.
Overall score – 15/20 – So its not a bad score, not the best by any means. Do I recommend it? Actually I recommend a setting this dark to everyone. Play something like this at least once so you can get a feel for how dark things can get. That way you can really see hero versus evil in a new light. For the game itself. If you like dark to the point of Necropunk then you are likely already playing it. Give it a read by all means though and see if you like it.
Ok so thats the latest, hope you had fun in your visit and I am looking forward to my next post, where I may finally tell you all why I hate playing GURPS, or why I hate gnomes. Lets see what happens.
Now gimme the dice, I gotta see if my operative can find his way home after being maimed by carnivorous pigs (yes those area thing in SLA too). Great gaming to ya all 🙂
Howdy all, another week, another blog post 🙂
So I have run around talking about world building, games, reviewed a few things and ranted about others. Ya gotta ask from time to time what the hell is he going to talk about this time.
Well what I really want to talk about is finding and getting into your character.
Why do I want to talk about this? Well, from my perspective there are hundreds of table top RPGs out there. And about two years ago I wrote a very short article about choosing a game to play. But I looked over my posts and while I have mentioned using music and settings and a ton of little things that you can do to get into a game, or character I realized that I have never talked about actually choosing a character to play.
Now then regular players of any single game will usually end up having a favorite that they always play, a favorite that they never get to play because the people they play with dont allow that rules supplement to be used, or they have a non-favorite that they frequently play because they are really good at it, or they have a character they are stuck with because the party needed one. For new players they will either be dropped into the middle of selection and just given free reign, or they will have friends and mentors who guide them to a type of character that is easy to learn the rules with. And then with time and practice they get to see what they might like, and develop favorites.
Some people never do develop a favorite. They enjoy exploring concepts and ideas and the latest thing they have seen on tv/cable/video games/movies/convention/that hot chicks tattoo, or wherever. And personally I think that concept players actually are playing their favorite. It may seem like a flavor of the moment to others, but in that moment, they are playing the coolest thing they know. So it kind of balances.
Now then for the folks that are not concept players… really… how do you pick your favorite. Let me blow your mind for a minute here. At its peak, when you include third party publications Wizards of the Coasts D&D 3rd Edition, had at rough estimates, over 1000 character classes that could be played. You have over one thousand options just to start playing a character. And then if you have a path for the character to grow in mind you have the ability to multi class. Meaning you can add more than one class together at a time to make something more unique. And if you wanted to absolutely useless you could make every one of your twenty base levels a different class, meaning by the time… yeah… ok you see it there, that damned big number. Ok so Minds blown a little right? Now imagine you are playing a point based game engine like GURPS by Steve Jackson Games or Champions by Hero Games. No classes. No restrictions. Build as you see fit in the points allotted. Totally free form.
So again, really, how do you pick your favorite?
Well, really, regardless of the genre you just need to answer a few questions and you can get right to it. I know that everyone is going to have their own way to do things in the end but here is a method that I have used in the past and I know it can be helpful.
- Do you have a character from a movie or book or comic that just fits and you love and want desperately to play something just like them? If yes then make that character. Please do try to give them an original back story of some kind because we all know the story of Conan the Barbarian by now. But other wise, if you want Conan make freaking Conan. If you do not have a preexisting character you want to bring into your game, then go to the next question.
- What do you find the most fun to play in a game? This can usually be broken down into a few really big ideas. Physical Power. Skills. Esoteric Powers (this can be magic, psi powers, holy powers, super powers and any number of others). Toys and Gear. Speed. Combat Skills. Charisma. A combination of the above. I usually find that if I rate these seven items on a scale I can get an idea of just about any character type.
- What sort of backstory do you like? Money (lots of or lack of its still money). Mystery. Race. Gender. Weird. Basic every day until the adventure starts. Again if you set these up in order of importance you can really get a quick outline of a background.
- What is it that you want to drive the character forward? The Past. Money. Adventure. Justice. Balance. Quest. Gods this place is boring. Shank a Bitch. That last one used to be called something else. Thanks to the ladies in my life though it got changed.
So did you notice how nothing in those questions talked about a genre? Thats because if you like a character concept you should be able to move it from genre to genre. It does not have to be the same character, but it can be a theme in what you play.
If I build with these ideas you will see the following happen.
- Skills, Toys, Combat skills, Speed, Esoteric Power, Physical Power, and Charisma floats it either bottoms out or hits the top.
- Mystery, Race, Money, Weird, Gender. Basic everyday life does not usually show up at all in my idea of fun.
- The Past, Gods this place is boring, and Shank a Bitch. These are the drives I have the most fun with usually.
Now then if I was going to look at that list, and I was playing a D&D game, I would be looking for a Rouge, maybe a Bard or Monk. Who came into their skills and training from an unknown location and likely an uncommon race for the area the game starts in. They are either running from something, or out to kick some ass, or maybe both.
When I use that list playing Shaowrun I usually end up creating some sort of Rigger with a few extra items you wont find on a regular character template.
If I go into Champions I have some unusual mutant martial artist that may have a bit of a Batman complex mixed with a Punisher attitude. But they wont talk about why.
The fastest way to do something like this is to only pick one or two items from each question and make a really focused character. Then add things as you grow them. If you are used to building this way then you can do like I did and mix and match you your hearts content.
I will freely admit that this is a process that is not for everyone. Some folks may like using something like the Life Flow chart in Cyberpunk by R Talsorian, or the background generator in Palladium Games books (even though it wont help you really pick a character it will give you a background for one). Or if you want to go to real extremes using tables to create backgrounds I would suggest looking into Buttery Wholesomeness, a supplement for White Wolfs HOL game, or if you are ready to search for them, Task Force Games put out three books in the late 80’s under their Central Casting blazon – Heroes for Tomorrow, Heroes NOW, and Heroes of Legend (supposedly system neutral but if you are using their stat bonus’ for characters you create you have best be using a percentile system).
So did this blog post really lead anywhere. In a zen kinda way, yes. By now you should know that there are a ton of different ways to come up with a character. Using whatever system you prefer, whatever method strikes your fancy. The only thing I would suggest is that you make a character you like, to play in a game you like, that represents a genre you like, with people you enjoy spending time with.
Be what you want to be, dream or nightmare. Here, all things are possible. Just remember that as in any other world, your choices will have consequences.
What does that mean? Well I have a feeling I will go into it in a later post about playing villains in a hero setting or something like that.
For now, gimme the dice, I got to see what happens when I roll up a half dwarf half giant using the 3.5 D&D rules… because I can.
Peace out, game on, and have fun while playing nice people 🙂
You will all notice the little plus sign out there on the title of this one, well that is because I am doing a little pitching for another blog here. My wife has started up a DIY blog for creating Steampunk items for home decorating. GO HERE. I think its only fair to try and steer people her way since she has asked me to do a game review on her blog. It is not my usual RPG game fare though, it is a table top game called Crimson Skies. Some may remember the Xbox game with the same title, or have read some of the game novels, but the table top game was done on a license from Microsoft by WizKidz. I know that table top games are usually the venue of my friend Dan the RPG man over at Dan on Games, but I just had to go ahead with it.
Now with that bit of shameless promotion out of the way, lets get to the reason you are really here, and that is my latest review.
The Street Samurai Catalog is a supplement for the first edition of the Shadowrun game published back in 1989. Shadowrun is a rather unique game due to the fact that it very successfully mixes Urban Fantasy and Cyberpunk into a very dark and fascinating world. It is also unique because even though it has been owned by several hands, since its inception in 1989 (see the link to wiki for a fair description of how it has changed hands) the game has run a series of ongoing story lines in meta plots that have progressed the world from 2050 to 2079. The rules system is a little complex when it comes to combat, and driving but overall it has been a lot of fun to stick with.
Ok so given that the game has been around for over twenty five years, why am I doing a review about a game supplement that came out in the first year of its production of the first edition? Well that is because this was the very first add on that I picked up for Shadowrun. The Grimoire was the second. It took me a while to really find the role I liked to play in this game setting but that is something that can be covered in another review or rant.
Considering that I had started playing RPG’s in the 70’s I had really gotten used to the idea that a supplement book would be just a stack of information about new gear. Maybe a few new rules and if I was lucky maybe an adventure in the back. On flipping through the book the very first time though I was caught off guard. There was not a lot of new stuff in the book. I mean for a 116 page book that I was going to drop twelve bucks on, I was really thinking that there should be more than one new item per page. Now then I will say this was back in the days when I was fairly new to FASA games publications. Only having played Battletech for a few years and mostly in a home brew kinda way, their tendency to add story and color elements to just about everything they do was something I had not completely caught on to yet. So I took a closer look at what they had offered. Yeah there is some cool gear here, and some new rules that made the items in the book a serious threat, or a serious joke.
What really caught me though was the color commentary by characters who were supposedly reading this book as an article posted online. It reminded me of some of the BBS sites that I had been introduced to. If you really think about it 1989, we were still a few years off from seeing the AOL revolution and the internet becoming a big thing. Thank you internet. And yet here was this book giving me the idea that there would be forums online where you could not only connect but to comment on things you were seeing. And even if people did not agree with you, you still had basic credibility because you were smart enough and skilled enough to get to this place online and talk about whatever you were looking into. But the banter that developed between characters, and the way they would evolve over the years became damned impressive. However that was to come, right at the moment I decided that yeah, this was worth my twelve bucks, this was how the future was going to look. And it looked like fun.
The book itself has entries on about ninety weapons, armor, vehicle and cyber options. Commentary on about half of them. Several pages of extra rules, Street Samurai character templates, reference sheets and character sheets.
Now then what is really funny about this, is that at the time this game came out, I was not convinced that I would play it. I was so hooked on supers (still am really) and fantasy settings that I just could not get into Shadowrun that much. I thought it was a cool idea sure. But I talked down about it almost as much as I talked up about it. When this book came out though, I decided that the Shadowrun world was mine, and I did not want to share it. So I sort of purposefully spiked the Shadowrun game I was in at the time by mocking the GM relentlessly (not that he didn’t need mocking) and trying to start up a game of my own (failed ohhh so badly). But again thats another story.
So how does this game stack up when I give it the numbers?
Fluff – 5/5 – This is going to be another moment when folks say… ‘Wait another supplement with a 5/5 in fluff, what the hell?’ And before I tell you to go piss in someone else’s corn flakes, let me tell you this. EVERY SINGLE ITEM that they are adding in this supplement, weapons, armor, cyber and toys gets its own art. Each one gets its own little bit of advertising like you would see in a catalog and over half of them have additional color commentary. Trust me the fluff is strong with this one.
Crunch – 2/5 – So you have to take this score in context a bit. This is a supplement made using the very first edition rules for a new game. In years to come it got easier and some of the rules got less unwieldy. But because of the changes in the rules structure it is a challenge to even import these items into the current edition of the game.
Mod – 1/5 – This is really an issue for Shadowrun over all up until the fourth edition. Due to rules complexity it is really easy to over power something by making very small seeming adjustments. And just as easy to make something completely useless. Actually there are a couple items in the book that really are useless. They sort of did that as a joke on themselves and even added color commentary that says “Wonderful. Now I can flatten light ammo against body armor faster than ever before.”
Fun – 4/5 – Ok so the rules hurt, and the chance to make things work or alter them is slim. But it is still a lot of fun. And it got more so as time went on and you could see the commentators appear in more and more supplements and see how they grew. The toys were fun to play with and it made a real impact on how I looked at games and what they could be. So yeah while I rate the fun high I am not going to max it out.
Overall – 12/20 – Ok so this is one of my lower overall scores. I figure I will have even worse in the future. With a score like this, is it worth looking into? I would say so if you like classic Shadowrun, have an obsessive need to go all pokemon on your RPG books and have to collect them all, or think that the art and comments might give you ideas. This is not going to be a book for everyone. Not even everyone who is a Shadowrun fan. But it is special to me and so I still say take a look and decide for yourself.
Well thats it for this time on my own blog. Not sure when my write up for Crimson Skies will appear on my wifes blog but it is something you can look forward to.
Now gimme the dice, got to see what the odds are that I will appear in other blogs and how much light ammo it will take to get back out of them.
Play safe and have fun folks.
Ok so first let me say that I know it has been over eight months since my last review. Welp, that just the way a blog goes. Kinda lost track of the whole review thing for a while, and kept going… oh yeah now that this is in the collection I need to do one on that one… and then world building… yeahhhh.
And now that a review is back you may be going… what… nonono Street Fighter is a fighting game, a really bad movie, a cartoon, or an anime (or two), and Storyteller is White Wolf’s RPG system… what the heck! Well Street Fighter is all those things and more. However here we are going to focus on the RPG that was published in 1994 by White Wolf games using their Story Teller system.
So back in the early 90’s White Wolf was hitting their stride with the Storyteller system and their World of Darkness setting. I have no idea what prompted them to do so, but they reached out to CAPCOM and got a license to make a roleplaying game for their Street Fighter setting. Now then I have talked about licensed games before (Tolkien v Tolkien) and you may know from books and movies already that a licensed product can really make a mess of the original. Now when you look at the original Storyteller format you may think that pain and suffering is all that this mix of fighting video games and table top rpgs is going to create. And to a certain degree you are right. But that pain and suffering is on the battle field not for the players.
White Wolf did something rather interesting with their own system when they made the Street Fighter game. They limited the skill selection and they significantly expanded combat while still keeping their game engine in tact. Unfortunately for many fans of the fighting video game style they did not add a huge number of martial arts in the original book, nor did they add weapons elements. They did give you rules though for expanding the combat system, and made it rather easy to combine elements from other White Wolf games into the setting without over-balancing things too much. And before you start screaming about power creep and all, I did run a World of Darkness LARP in 95-96ish where we actually let a couple of Street Fighter characters in. I have to say that even with special abilities an super moves a starting Street Fighter got his a$$ handed to him by a werewolf, a mage, and a Pooka fae in that order. And they were all starters too. However he did turn it in to a role playing effort and ended up after a while becoming the bridge between a group of garou and a house run by a member of the Akashic Brotherhood. For those who don’t know those terms don’t worry. They are in there to help White Wolf players see balance is possible. For those of you who don’t know White Wolf games just imagine a werewolf who can go toe to toe with a kung-fu wizard from the best Chinese wire fu movies. So if anything starting characters in Street Fighter are a little under powered compared to their bretherin. And if you compare them to later offerings in the Storyteller system, like the Aeon Trinity (sorry MTV but I support White Wolf on this one… stupid stickers and re-editing) they seem way under-powered.
What really got me hooked on the Street Fighter version of the Storyteller system was how they broke out the combat skills. Instead of having a general melee skill, or brawl skill, you have Punch, Kick, Block, Grab, Athletics and Focus. What this did was it allowed you to really define the fighting style of your character. Sure they had several styles in the system, however you could still give a boxer a strong dose of Kick just to add something unexpected. Now then some people may look at that and feel things have just become over complicated. Others may look at that and say, but what about weapons skills. And depending on how you use the system both are potentially valid. To look at weapons first, if you remember Street FIghter II, when it came out originally only one character had a weapon. Vega/Balrog (if that confuses you then refer to the links above and find out how the characters were renamed in the US to avoid an issue with Mike Tyson). The game was about empty hand and chi powers (yes the sonic boom and Blanka’s volts were chi powers). Not weapons. They did add rules for weapons in Contenders, and really fleshed it out more in the World of Darkness book Combat. But those are supplements. If you are willing to take the game as a representation of the original Street Fighter II, then there you go. The fact that you could then take special moves, basic moves, and build up combo moves (oh and if you want to create a corner beating move combo you can actually put together a trip kick combo that will allow you to drain almost everything from an opponent, you just have to make sure he cant make a move back… or you are toast).
Now then sadly, White Wolf did not really support Street Fighter as well as their other products after initial publication. Their Players Guide brought the power creep hard core, but skimped on the details like adding a merits and flaws system as they had added to every other Storyteller game in the players guides. The Shadowloo supplement brought more power creep than you can imagine by actually quantifying Vega/M. Bison ‘s martial art and making it accessible to players. However this game is still popular enough in the hands of fans that it shows up at conventions to be played and there are more than a few online groups that have added characters, styles and more to support players who want to get into things from Street Fighter Alpha, SF3, SF4, and even SF5. All in all the ongoing fan support makes things kinda cool.
All in all I have to say that even with the flaws added in the supplements and it seeming a little incomplete by not thinking about things like weapons right off the bat, I feel like this is one of the best martial arts engines to date for table top. And really who would not enjoy being able to take on Vega/M. Bison where your GM can be the cheese and not some smegging computer. 🙂
Ok so ratings… lets see if I remember how to do this too…
Fluff – 2/5 Of all the parts of this book that I enjoy I have to say the fluff is the weakest spot. There is very little art in the book that comes from CAPCOM studios. And even though many of the main characters are depicted when they describe individual martial arts there is next to nothing about the characters that those of us who play the video game would have loved to see. The fiction that they add in, usually a White Wolf strong point, seems weak because once again it does not involve any of the classic characters except as being a dropped name. Lastly the added art that is not from CAPCOM seems a little half assed. Really it is one of the weakest White Wolf products I have seen in the fluff category.
Crunch – 3/5 How then after I have raved about how much I like the combat system can I say that the crunch is weak. Well I said it was good and that it reflected what was in the original Street Fighter II. I did not say that I appreciated that myself. It is solid. It is easy to use. It also feels incomplete to me. It can be fixed, and added to. But the fact that you have to add things like weapons use and the number of initial martial arts is small just makes it a little weak overall.
Mod – 5/5 Ok so in this space, yeah. This thing is so easy to mod, just like most Storyteller products. Add things from other books and settings. Create new moves so you can punch ghosts. This is one of the strongest points in the Storyteller system overall. You can mod the hell out of it and really enjoy adding your own creations with only limited risk of massive power creep. And that limit is you reader… you are the biggest risk here for that. 🙂 heh
Fun – 4/5 Ok so why only a 4 of 5. That is because I had to add other books and work for it to add weapons in in a reasonable manner. Because I had to bar the use of one of the nastiest martial arts ever presented because it was a combination of power creep incarnate and corruption on a stick. Because there was very little effort on White Wolf’s part to help others see how you could incorporate Street Fighter into their other products and lastly because it takes a fair bit of play (going by the Storyteller experience rules and spending about 96 sessions) to actually get your brand new Street Fighter up to the point where you can take on the guys and galls from the video game on an even footing.
Total Score – 14/20 So how does this play out overall? I said a few seriously negative things in my scoring. Well as usual that is going to come down to the players and what they want to do. If you want a cool system for martial arts that you can use to simulate fighting games, wire fu, and kung fu comic books then this is the place for you. If you like the freedom to set up your own martial arts, and even modify existing ones to create wild and crazy new ancient schools of combat then this will work. If you want more description in a fight scene than “I swing at him.” then this engine encourages it. If you want to exactly replicate all your favorite Street Fighter series characters, then be ready to buy more than one book and likely spend some time online. Unless they are Ken and Ryu… bastards get the best of everything… they are the freakin Barbie’s of fighting games. In the end I can say I enjoy the game despite its flaws and weak points. I have successfully made versions of all of my favorite fighting game characters. Even those with weapons, in spite of this game calling itself Street Fighter. But as always you dear reader are going to have to make the choice if this game is for you. Not my call 🙂
All righty that is it for now. Hope you enjoyed. Soon more world building and more reviews.
So gimme the dice, I have to see if the game field is monster free or I need to get the hose out…
Ok so its not a world building moment nor is it a game review. Thanks to the holiday season and the chance to play with a little gift cash, I of course got games with some of it. And this is about that experience.
So anyone who is a gamer or knows a gamer knows that there are a few ways to get games. Go into a local game and hobby shop, a book store, maybe a comic shop, and then ordering online. Now then some people will tell you all about the convenience of ordering online. Some will talk to you about the cost savings versus cover price. And all those things are truly possible. And in the case of board games or boxed sets then you may very well see a quality product at your door.
The thing that makes me edgy about going online to order games though is that you are going to be relying on someone you have never met, to ensure the quality of an item you have not seen with your own eyes, that they will package it in a manner that means you are getting your new game all in one piece, and that it will actually get to your door and not be delivered into some other state.
Am I paranoid about these things. You betcha 🙂
Let me give you the example of my latest online game purchase. Being a table top RPG player I ordered from Amazon. But since I ordered a few things that were out of print I ended up actually ordering three books from three different vendors. Now then I start out a little nervous but these were items I wanted in my games collection… again in a couple cases. So my order ends up having one book from Amazon itself, one from Vendor X (not naming them directly), and one from Wayne’s Books.
So the king of dance swing, Amazon, actually fulfilled my order from the local depot, or so it seems as it only took two days to get here by USPS. When it arrived I opened the mailer envelope. Inside I see my book. Oversized 8×10 or so book format like a magazine (for those of you who remember them… heh) The mailer is one of the plastic, heavy sealing, padded bags. And that was it. USPS had shoved it into my mail box and ran. So I take a look and there seems to be some damage around the edges, and with the cold weather there was a little curl…but nothing too bad. SO I took my new book and read through it a bit… and it all seems ok. But this could have been shipped much better, with out adding much cost to Amazons shipping process. More on that later.
Vendor X… Well their Amazon listing for the book they sold me said near mint condition on the book. But they were selling it at a fairly low price. They sent the book in a paper envelope with a small padding structure inside. The book was much lower in quality than they had it listed for, and if it was not for the fact that I feel I spent what the books quality was really worth I would have sent it back and asked Amazon to consider some sort of financial reprisals. I am still considering it because they charged me six bucks for shipping and forgot that I could see the stamp on the envelope that said “Media Rate”, and having worked in shipping I know that with the cost of the envelope included, I was wayyyyyy overcharged for shipping.
Now then to Waynes Books. I was not surprised after I got the book that they not only have their own website and store, but that they have been at this for a while. The book I ordered from them was listed on the Amazon site as being – Very Good – quality. When I got it I would actually say it was more Near Mint. I was expecting bad pages, roughness around the edges, a slightly discolored or damaged cover. And instead I get something that has a slight crease in three pages. If the quality grading scale they use is that strict. I like them a lot. Actually getting to my book was kinda fun and it showed me they have a lot of respect for the product they send and the people they send it to. The book was first wrapped in a plastic media bag. Like the kind you store comic books in. That was then padded with a layer of cardboard that was slightly larger than the book. And then a little more cardboard that was smaller. This collection of material was then put into a plastic padded mailer envelope. Someone was going to have to do some serious work to damage that book. They also used “Media Rate” for shipping and it took a few days to get to me, but for a quality book and quality shipping like that I can wait.
Now then on Amazons web site both Vendor X and Waynes have 99% satisfaction ratings. Both have 4.5 stars overall on reviews. So mayhap with Vendor X I just happened to get the wrong guy or someone was having a bad day or who the heck knows. I can say however that the next time I go game hunting I will likely look at Wayne’s site directly first. And may just go to them right off the bat and order from them. Because with their first effort for me. They impressed me. I cant say it better than that. Amazon did a so so job, and Vendor X got the only 2 star review I have ever left someone… they got two stars because they got me the right book, I can use it, and I know I dont have to go back to them. For me leaving a one star review means that I have actually sent something back, along with comments regarding our next steps with the lawsuit I am initiating.
So yeah this has been a somewhat ranty post. And that was the intent. Ya see this is the kind of situation we get ourselves in when we dont have well supported brick and mortar stores. You have to go online, and trust that what you ordered will in fact be what you get. And you have to be ready for it not to be so you can play the return and send me what I want game… over and over again. With an economic power like Amazon backing the stores that sell through them I can understand giving a bit more trust… because if Amazon pulls their support or offers a bad review from their own perspective… that could be the first or last nail in a vendors coffin.
In the end what I really want to say is pursue your hobbies and your joys. Chase the games and titles and such that you really want. But just be ready to have to either fight for it, or be totally surprised by how good it comes out.
Ok so gimme the dice, I gotta see whats on my collection list that I want to pursue next…
Peace and games to all in 2017, next week a return to world building… or a review… may have to roll for that one…
Ok so I have talked about chasing down old and out of print games before. I have talked about my methods of going after them and all the fun that you can have if you are a fan and you really find something good. Well this is likely to be a short post, however I wanted to take just a moment and say WOOOOHOOO in regards to one used book store in particular.
Anyone who knows me well knows that I look for classic RPG’s and things that are on my list of games I have played but are no longer in my library all the time. Of late I have been jonesing a lot for some of the stuff I played in the way back times but have not seen for a while. In the last year I have found three of those games, and I have found them all in one store.
Torg, and Paranoia second edition from WEG, and Gamma World third edition. I found Gamma World yesterday and was very surprised to find a boxed set with not only the original rules but all the printed supplements that usually get lost from the boxed sets, a GM screen from second edition and the GM screen for 3rd edition with the added adventure supplement all in the box and all for only forty bucks. When I hunted on eBay or Amazon for the box set for second or third edition Gamma World I usually find incomplete box sets for about a hundred bucks. Paranoia I found for seventy, and even though the book inside the box was a little messed up the last time I checked for it online it had been going for about 120. Torg, well since it had the complete master deck set of cards I had been expecting it to go for over 200. They had it for thirty. All in all several great deals.
And I said it was all from one store. So this is my big plug and I hope that gamers looking for out of print material start hitting them up. Half Price Books in Redmond Washington. Not everything they have is a steal like that when it comes to classic games. They have out of print modules that you can find in PDF format online for 3-5 bucks for anything from 15-50, so for me those are a no go. But the Forgotten Realms Horde boxed set for fifty… that might be worth thinking about.
Anyway I am not sure what is going on right now with Half Price but their stores (at least the ones that I go to) seem to be getting an influx of gaming materials lately. So I want to thank whoever has been selling off their stuff, and to Half Price for not going full collectors market price on some really cool things.
Does this mean that I am going to do a Gamma World review in the near future… maybe.
For now though just gimme the dice, I gotta see if this kinda luck keeps rolling crits.